POST 72: FAMILY CABINET CARDS FROM RATIBOR & BERLIN PHOTO STUDIOS

Note: In this Blog post, I discuss a few Bruck family Cabinet cards, photographic prints mounted on card stock, originating from several photo studios once located in Ratibor, Prussia, and Berlin.

The inspiration for this post came in part from a reader who inquired about the Helios photo studio in Ratibor [today: Racibórz, Poland] where her mother had worked during the 1930’s, and partially from some family photographs mounted on card stock with the names and locations of Ratibor and Berlin photo studios imprinted on the front or back.

 

Figure 1. Cabinet card from the former Józef Axmann photo studio in Ratibor

 

In time, I would learn these photographs are referred to as Cabinet cards (Figure 1), which got their name from their suitability for display in parlors—especially in cabinets. This was a style of photograph first introduced in 1863 by Windsor & Bridge in London, that was a popular medium for family portraits. The Cabinet card, 108 mm by 165 mm (4 ¼” by 6 ½”) in size, gradually superseded the smaller carte-de-visite, 64 mm by 100 mm (2 ½” by 4”), which was introduced in the 1850s. The popularity of the Cabinet card waned around the turn of the century, particularly after the introduction of the photographic postcard (Figures 2a-b), but they were still being produced right until the First World War.

 

Figure 2a. Front of a photographic postcard, showing my father Otto and his older sister Suzanne as children, that replaced Cabinet cards

 

Figure 2b. Back of photographic postcard, depicting my father Otto and Aunt Suzanne, sent by my great-aunt Franziska Bruck to her mother Olga Berliner on the 28th of April 1911

 

 

The name of the photographic studio is often imprinted on Cabinet cards under the photograph; typically a lithographic design covers most of the photo backing. Many designs incorporate attractive graphics, including medals or awards the studio supposedly won at some exposition or competition, or perhaps a medal of merit or excellence that was awarded by a European monarch. Sometimes, there is even an indication that the photographer or studio was the “official” photographer of a named monarch.

I always try to assist readers if possible, particularly if our respective ancestors originate from the same town; this sometimes presents an opportunity to learn more about the town’s history and its people, possibly obtain an alternative perspective, and often provides ideas for future Blog stories. Answering readers typically involves my consulting with more knowledgeable individuals. So, having never heard of the Helios photo studio the reader had asked about, I turned to my friend Mr. Paul Newerla, retired lawyer and current Silesian historian from Racibórz, for help. Paul sent a postcard of Langestraße, the street in Ratibor along which the Helios studio had once been located with the studio name circled (Figures 3a-b); he also included a page from a 1936 Ratibor Address Book listing existing photo studios with a larger advertisement for the “Photo-Helios.” (Figure 4) And, finally, in responding to the reader, I attached a section of a 1927 Ratibor map circling the approximate location of the studio.

Figure 3a. Postcard of Ratibor’s “Langestraße” along which “Helios” or “Photo-Helios” photo studio was located

 

Figure 3b. Pixilated closeup of the “Fotografie Helios” store sign
Figure 4. 1936 Ratibor Address Book listing existing photo studios & photographers, including “Photo-Helios”

 

 

 

 

 

 

 

 

More recently, I’ve turned my attention to the few Cabinet cards in my collection with the names and addresses of Ratibor and Berlin photo studios. These are often the most endearing and charming photos of my nearest relatives, specifically, my grandfather (Figure 5), along with my father (Figure 6) and his two siblings. (Figures 7-9) My ancestors literally seem to leap out from the picture and come to life.

 

Figure 5. “Carte-de-Visite” from the “J.D.P. Platz” photo studio in Ratibor of my grandfather Felix Bruck (1864-1927) as a child
Figure 6. Cabinet card from the “Oskar Krispien” photo studio in Ratibor of my grandfather Felix Bruck holding my father as a baby

 

 

 

 

 

 

 

 

 

Figure 7. Cabinet card of my Aunt Suzanne (1904-1942) as a toddler
Figure 8. Cabinet card from the “Oskar Krispien” photo studio in Ratibor of my Aunt Suzanne, my father Otto, and his older brother Fedor as children

 

 

 

 

 

 

 

 

 

 

Figure 9. Cabinet card from “Alfred Schiersch” photo studio in Ratibor of my Aunt Suzanne and my father Otto as children

 

The Cabinet cards depicting my family originate from three Ratibor studios, “J.D.P. Platz Kunst-Institut (Art Institute)” (Figure 10); “Oskar Krispien” at Oberwallstraße 10 (Figure 11); and “Alfred Schiersch” at Wilhelmstraße 12 (Figure 12); and  two Berlin studios, “W. Höffert” with two locations, Leipziger Platz 12 and Unter der Linden 24 (Figure 13); and “V. Scheurich” at Friedrichstrasse 2017 in Berlin S.W. (Figure 14)

 

Figure 10. Backside of “Carte-de-Visite” from the “J.D.P. Platz” photo studio in Ratibor
Figure 11. Backside of a Cabinet card from the “Oskar Krispien” photo studio in Ratibor

 

 

 

 

 

 

 

 

 

Figure 12. Front side of a Cabinet card from the “Alfred Schiersch” photo studio in Ratibor
Figure 13. Backside of a Cabinet card from “W. Höffert” listing two Berlin locations, Leipziger Platz 12 and Unter der Linden 24, and six other city locations

 

 

 

 

 

 

 

 

 

 

Figure 14. Backside of a Cabinet card from “V. Scheurich” photo studio in Berlin

 

 

Curious whether I could learn more about these studios, I again turned to Mr. Newerla for help on the ones in Ratibor. In response to my query, Paul sent the list of existing photo studios from Ratibor Address Books for three years, 1889 (Figures 15a-b), 1923 (Figures 16a-b), and 1938. (Figures 17a-b) The 1889 directory showed J.D.P. Platz was located at Oberwallstraße 8, while the 1923 and 1938 directories indicated “Helios” or “Photo-Helios,” owned by Hans Ogermann, the studio the reader had asked me about, at Lange Straße 10. Alfred Schiersch was also listed in the 1923 and 1938 directories but shown to be at two different addresses, Oberzborstraße 8, then Eisenbahnstraße 3. None of the directories listed Oskar Krispien.

Figure 15a. Cover of 1889 Ratibor Address Book listing existing photographic studios
Figure 15b. 1889 list of existing Ratibor photo studios

 

 

 

 

 

 

 

 

Figure 16a. Cover of 1923 Ratibor Address Book listing existing photographic studios
Figure 16b. 1923 list of existing Ratibor photo studios

 

 

 

 

 

 

 

 

Figure 17a. Cover of 1938 Ratibor Address Book listing existing photographic studios
Figure 17b. 1938 list of existing Ratibor photo studios

 

 

 

 

 

 

 

 

In addition to pages from various Ratibor Address Books, Paul sent me a link to “The Museum of Family History, Education and Research Center,” a virtual (Internet-only), multimedia, and interactive creation designed to help people learn more about modern Jewish history. Within this virtual museum is a link at “www.fotorevers.eu” to The Museum of Family History’s collection of over 3500 photos. This Polish and German language website documents by city the activities of photographers and their studios in the years 1850-1914; for Ratibor, it includes Jozef Axmann, Atelier Helios, and Platz Ph. (Figure 18), while for Berlin, W. Höffert is shown to be in multiple cities.

Figure 18. Page from “www.fotorevers.eu” website listing three Ratibor photos studios from which “The Museum of Family History, Education and Research Center” has pictures

 

 

The Cabinet card depicting my grandparents around the time they got married in 1894 was taken at the W. Höffert studio (Figure 19), which on the reverse side of the card lists locations in seven German cities though more are known. (Figure 13) A different Cabinet card picturing only my grandfather at about the same age was taken at the “V.Scheurich” studio in Berlin. (Figure 20) Possibly, both photos were made in Berlin, although the wedding picture could certainly have been taken in Breslau, closer to Ratibor. However, the fact that neither picture was taken in Ratibor made me wonder where my grandparents married. Both were born in Ratibor and owned the Bruck’s family hotel there; additionally, I have a poem written by my grandfather’s brother, Wilhelm “Willy” Bruck, in honor of his brother’s wedding on the 11th of February 1894 that was printed in Ratibor, strongly suggesting my grandparents were married there. Yet, I had not previously found their wedding certificate at the Polish State Archives in Racibórz on two previous visits.

 

Figure 19. Cabinet card from “W. Höffert” in Berlin of my grandparents, Felix & Else Bruck, when they got married in 1894
Figure 20. Cabinet card from “V. Scheurich” in Berlin of my grandfather from around the same time as he got married in 1894

 

 

 

 

 

 

 

 

 

Knowing exactly the day my grandparents got married, I scoured the Landesarchiv Berlin database for their names but came up empty. Once again, I asked Paul Newerla whether he could check at the Polish State Archives in Racibórz for their wedding certificate on the off-chance I missed it, and sure enough he found it with ease. Possibly, my grandparents honeymooned in Berlin, and had their wedding photos taken there.

The reverse side of the Cabinet card from W. Höffert states: “Königlich Sächs., Königlich Preuss., Hof Photograph Sr. Königlich Hoh., Hof Photograph des Prinzen von Wales.” (i.e., Royal Saxon., Royal Preuss., Court Photographer Sr. Royal Dynasty Hohenzollern, Court Photographer of the Prince of Wales) In addition, there are three medals of merit or excellence illustrated on the Cabinet card. (Figure 13)

In the case of the Cabinet cards picturing my grandparents and their three children, since I know their vital statistics, they do not add to my knowledge of when specific events may have taken place or when they were born. However, for readers who may not have this information for their ancestors, knowing that Cabinet cards were in vogue between roughly 1866 and ca. 1914 may help narrow the window of time for which ancestral information is sought.