Note: In this post, I talk briefly about the origins of the French Foreign Legion’s romanticized reputation and its depiction in popular culture, followed by a presentation of a few of my father’s photos showing his time in the Legion in Algeria between November 1938 and November 1943.
Related Posts:
Post 79: Dr. Otto Bruck’s Path to the French Foreign Legion
Post 80: Dr. Otto Bruck in the French Foreign Legion
My father, Dr. Otto Bruck, signed up for the French Foreign Legion on the 9th of November 1938 in Paris (Figure 1), and reported for duty in Sidi Bel Abbès, Algeria (Figure 2) on the 18th of November 1938. As discussed in the previous post, as a Jewish refugee in the lead-up to WWII without a visa to a safe haven, his options were limited, so he heeded the advice of one of his first cousins and enlisted in the Legion.
Before embarking on a presentation of some of my father’s visual images of his time in la Légion, I want to tell readers a little more about the Legion’s history to supplement what I discussed in the previous post, focusing primarily on the origins of the Legion’s romanticized reputation and its depiction in popular culture. There is no intent on my part to be comprehensive, so interested readers are encouraged to research the Legion’s history to obtain a more broad-based understanding.
The Legion was established on March 9, 1831 by King Louis-Philippe as a military unit to support France’s conquest of Algeria, which they had invaded the previous year. The Legion’s debut was inauspicious because of mismanagement in Algeria, nationally homogeneous battalions, resistance to military discipline among recruits, widespread desertion, and an unqualified officer corps. In 1835, the Legion was transferred into Spanish service to help Queen Regent María Cristina de Borbón put down a Carlist rebellion, though was resurrected in December 1835 by Louis-Philippe once he realized the continuing need for legionnaires in Algeria. The latter became known as the nouvelle légion (“new legion”), which staked out a reputation for military valor during the 1837 storming of Constantine, Algeria.
At the time, legionnaires were often used for labor rather than combat, a situation which began to change only with the arrival in 1840 of Thomas-Robert Bugeaud as commander in chief in Algeria. Recognizing the vulnerability of static legionnaire units in isolated locations that could be overwhelmed by Algerian resisters, Bugeaud instituted a counterinsurgency strategy that took the battle to the enemy and demanded incessant marching; the campaigns, while grueling, improved the Legion’s morale and performance. The Legion’s officers also then began to understand “. . .that leadership of foreign mercenaries requires finesse, appeals to the men’s sense of honor, and nonjudgmental, non-xenophobic attitudes.” Around this time, the Legion began to be more accepted as a full-fledged branch of the French army. The prior practice of nationally homogeneous military units was abandoned, discipline improved, and an ameliorated esprit de corps began to develop.
While historically the Legion had many cutthroats, political refugees, outlaws and others who required strict, often merciless, discipline, by the mid-19th century the Legion had established its reputation as a formidable fighting unit. French imperial expansion that took place between 1871 and 1914 corresponded with the Legion’s “golden age.” The corps, which numbered about 10,000 legionnaires at the time, participated in campaigns in southeastern Algeria and in the conquest of Morocco. The campaigns were then spear-headed by mule-mounted units, the old Montées, as I explained to readers in the previous post. These units became a permanent fixture of Legion operations in North Africa into the 1930’s. The “Batterie Saharienne Portée de Légion,” of which my father was a member, originated as a mule-mounted unit, though by the time he joined it was a motorized infantry company.
The Legion’s reputation as a band of romantic misfits began to capture the public’s imagination during the Legion’s golden age, augmented by what is referred to as the anonymat, the requirement to enlist under an assumed name. This anonymity allowed legionnaires to invent fabulist pasts, unconstrained by reality. What also appealed to many recruits was the possibility of starting life anew with a clean slate, in an environment of macho hardships and challenges.
Readers will recall from my previous post that the Legion had always had a large complement of Germans in its rank. Ironically, German propaganda contributed to the allure of the Legion by depicting it as a band of criminals commanded by sadistic NCOs which, counter-intuitively, seduced the naïve and innocent. Literary works, such as Ouida’s Under Two Flags (1867) and Percival Christopher Wren’s well-known Beau Geste (1924), further kindled the public’s idealized view of the Legion.
By 1933 the Legion numbered more than 30,000 soldiers that were based in Sidi Bel Abbès under the oversight of an inspector general. The Legion’s first inspector general was Paul Rollet who was responsible for creating many of the Legion’s current traditions. Among other things, he sought to secure the Legion’s place in the public’s imagination by reviving the uniform legionnaires had worn during the 19th century consisting of white uniforms and white kepis, and commissioning a glamorized history of the legion, Le Livre d’or de la Légion étrangère (“The Golden Book of the Foreign Legion”); he even had artistic battle scenes painted showing legionnaires in white kepis to reinforce his belief that they were members of an elite and exclusive military unit.
Rollet’s efforts were partly intended to counter what he perceived as an orchestrated attempt to vilify the Legion and thinly veiled attacks on France. Hollywood productions of novels about the Legion, including Under Two Flags (1936) and Beau Geste (1939), as well as the French film Le Grand Jeu (1934; “The Full Deck”) were also responsible for promoting the romanticism, adventure, and the opportunity for atonement through hardship; these possibilities were at the heart of the Legion’s appeal.
In the case of my father, the Legion offered a much simpler option, a lifeline. Still, there is a paradoxical intersection between the draw the Legion’s idealized view in popular culture may have had upon my father and the name he assumed upon his arrival in America in 1948, “Gary Otto Brook.” Recently, I asked my still-living mother why he adopted the name “Gary,” and she thought it was because he liked the actor Gary Cooper. This seems like a reasonable proposition, and the fact that Gary Cooper was one of the featured actors in Beau Geste, the 1939 movie about the French Foreign Legion, is not lost on me and does not seem coincidental.
With this rather lengthy prologue, let me turn now to a presentation and brief discussion of a few of my father’s photos of his time in the Legion.
Maxime Weygand (Figure 5) was a French military commander in World War I and World War II. Weygand initially fought against the Germans during the invasion of France in 1940, but then signed the armistice with and partially collaborated with the Germans as part of the Vichy France regime before being arrested by the Germans for not fully collaborating with them.
The Commissione Italiana d’Armistizio con la Francia (“Italian Armistice Commission with France”) or CIAF (Figure 19) was a temporary civil and military body charged with implementing the Franco-Italian armistice of 24th June 1940 and coordinating it with the Franco-German armistice of 22nd June. It had broad authority over the military, economic, diplomatic and financial relations between France and Italy until the Italo-German occupation of France on the 11th November 1942. It liaised with the German Armistice Commission, which I discussed in Post 80, which likely accounts for their presence in Ouargla, Algeria.
