Note: In this post I relate the story of retracing my steps to prove to my distant Uruguayan cousin the existence of his great-aunt and -uncle’s daughter whom he knew nothing about. His great-uncle was a noted art historian Curt Glaser in Berlin who like many Jews in the Nazi era suffered the loss of his profession and more.
Related Post:
Post 90: The Long & Winding Road Leading to Jewish Relatives from Brazil
The last several months have been among the most prolific periods learning new things about my extended family, primarily from people searching for their ancestors and stumbling upon my Blog. By having more than 400 categories by which my post could potentially turn up in an Internet search, an approach incidentally not recommended by web designers, many people have come upon my writings. In coming weeks, I will relate some of the mysteries I have been able to unlock because of recent reader emails, including an extraordinary communication I received from one individual which resulted in obtaining hundreds of photographs and documents about one of my renowned Bruck relatives who was born and raised in Breslau, Germany [today: Wrocław, Poland]. But this is a story for another day.
The current post stems from a note I received from a delightful Uruguayan man, Eduardo Castro (Figure 1) and an ensuing discovery I made about his family. This gentleman is a fourth cousin once removed as it happens, and he learned about my blog from his aunt and another mutual cousin, Danny Alejandro Sandler. (Figure 2) Eduardo’s aunt, Bettina Basanow née Meyer, was born in Vacaria, Rio Grande do Sul, Brazil but has lived in Denver, Colorado for more than 50 years. In Post 90, I related the story of trying to locate Bettina and her siblings in Porto Alegre, Brazil, where her parents had emigrated to escape the Holocaust. Thinking Bettina and her family still lived in Brazil, I spent many fruitless months trying to track them down there. My much more social media savvy cousin Danny Sandler eventually located Bettina in Denver and put us in touch.
I have periodically told readers about the difficulty of finding evidence of one’s Jewish ancestors who emigrated to South America to escape certain death in Europe during WWII. While I have been assured that certain South America countries are notorious record keepers, not unlike the Germans, most of these records have not yet been automated making online searches for documentary evidence from there difficult. For this reason, it is always immensely gratifying when descendants of people who emigrated to South America find me through my Blog, as in Eduardo’s case. I often learn the fate of some of their ancestors as well as the indirect route some may have taken to get to South America. In a subsequent post, I will relate the story of one such venture. But, again, this is a story for another day.
Shortly after Eduardo and I began our exchanges, I invited him as a “guest” on my family tree. After catching several errors and sending me images of his immediate family, he became curious about a daughter his great-aunt Maria Johanna Dorothea Clara Glaser née Milch (Figure 3) had with her renowned husband Curt Glaser (Figure 4) named Eva Glaser that I include in my tree. Eduardo had never heard about this daughter so asked me for the source of my information.
Periodically I find myself in the awkward position of being asked to substantiate the existence of a previously unknown ancestor to a member of the family more closely akin to them than I am. I understand this situation. Had someone ever told me that my father had an older brother born in 1900, as he in fact did, that I knew nothing about, I would have scoffed. Obviously, why would my father never have told me this? In the case of this uncle, I only learned of his existence when I visited the “Archiwum Państwowe w Katowicach Oddział w Raciborzu” (“State Archives in Katowice Branch in Raciborz”) and found verification of his birth in 1900 and of his death less than a year later.
In any case, Eduardo Castro would certainly have better knowledge of Eva Glaser as they would have been first cousins once removed. Because I had failed to make a note of where I had found the place and date of her birth I was forced to try and retrace my steps, making new discoveries along the way.
Fortunately, I quickly rediscovered Maria and Curt Glaser’s respective “Declaration of Intention” dated the 16th of October 1941 in New York (Figures 5-6) stating their aim to become citizens of the United States and reside permanently herein. Asked on this form to indicate the number of living children, and their name, sex, date and place of birth, place of residence, both had written “Eva(f) July 22, 1935 born at (sic) Switzerland resides at (sic) Switzerland.” This was confirmation that Eva had indeed existed even though nowhere on this form did it state that Eva was born in Ascona, Switzerland, as I had written on my family tree.
Thinking I had perhaps come across Eva’s place of place in an article about her famous father, I did a Google query on him, and found a fleeting reference to her.
First, let me briefly tell readers about Eva’s father Curt Glaser (1879-1943) as his was an interesting story reflective of the fate of many Jews living in Germany during the 1930’s. Curt was born on May 29, 1879 in Leipzig, Germany, the son of a Jewish family. Almost immediately after receiving his M.D. in 1902, he began a second degree in art history, a topic that had always interested him. At the same time, he also became active as an art critic and began to write reviews on the Berlin art scene, an activity that lasted over 30 years. On the 12th of August 1903, he married Elsa Kolker (1878-1932) (Figures 7a-b), daughter of the Ambassador Hugo Kolker, converted to Protestantism, and received considerable income from the family properties.
Curt received his Ph.D. in 1907 writing his dissertation on Hans Holbein the Elder. By 1909, Curt’s museum career had begun when he was appointed curator of the prints and drawings division (Kupferstichkabinett) at the Berlin Museum (Staatliche Museen Berlin) where he significantly expanded its collection of modern and contemporary art. In parallel to his professional acquisitions on behalf of the Kupferstichkabinett, starting around 1910, with the support of his father-in-law, Hugo Kolker, Elsa and Curt began to build a significant art collection that included, among others, the works of Vincent van Gogh, Henri Matisse (Figures 8a-c), and Pablo Picasso, as well as valuable prints by artists like Honoré Daumier and Adolph von Menzel.
The Glasers placed a significant emphasis on acquiring the works of Edvard Munch, a lifelong friend whom Glaser had supported. (Figures 9a-b) A special friendship existed between the Glasers and Munch, who painted portraits of Elsa alone as well as of the couple. (Figure 10) The Glasers had the most extensive collection of his works in Berlin.
Curt Glaser clearly supported other artists as evidenced by at least two paintings he commissioned from the German artist Max Beckmann (1884-1950). (Figures 11-12) In addition, Henri Matisse painted Elsa Glaser on several occasions.
In October 1924, Glaser became the Director of the Staatliche Kunstbibliothek (State Art Library) in Berlin, whereupon he recast the library as an art historical research library. By July of the following year, the Glasers had moved into a civil service apartment where their art collection was also displayed and where they held important art salons throughout the late 1920’s. (Figures 13-17)
Elsa Glaser passed away at the age of 54 in 1932, a loss that deeply affected Curt and that he expressed in personal letters to Edvard Munch. After the National Socialists rose to power, in the spring of 1933, Glaser was placed on leave from the Kunstbibliothek because of his Jewish ancestry, his prominence, and no doubt because of his approach to collecting art deemed degenerate by the Nazis. At the same time, Glaser was compelled to relinquish his apartment. Around this time, he found happiness anew with Eduardo Castro’s great-aunt Maria Milch, whom he married on the 30th of May 1933. (Figures 18a-b) Even before he was forced to retire in September 1933, he had auctioned off large parts of his collection, home furnishings, and art library, much of it at depressed prices.
Curt and Maria went into exile in June 1933, going first to Paris, then to Ascona, Switzerland, making the birth of their daughter Eva there plausible. In a reference I happened upon entitled “Curt Glaser Report: III. Summary of the Historical Facts,” the unnamed author writes: “Between 1936 and 1938/1939, the Glasers stayed repeatedly in Florence with their daughter, who was born in 1936,” known, however, to have been born in July 1935. At the time, Curt was likely researching the history of the Renaissance in Florence, a topic he later published a manuscript about.
It is an interesting coincidence that my own uncle and aunt Dr. Franz Müller and Suzanne Müller née Bruck’s stay on the outskirts of Florence almost exactly coincided with that of the Glasers. I like to imagine they may have met. Regardless, as the unnamed author previously quoted wrote: “In 1941, the Glasers emigrated to New York without their daughter and moved in 1943 to Lake Placid. . . He died on November 23, 1943.” (Figures 19-21)
The reason the Glasers left their daughter behind nagged at me. Trying to determine why this might have been, I turned to Geni.com. Here I found mention of her, indicating she had died in 1943, thus, at 7 or 8 years of age. I contacted the Profile Manager of the tree and asked where he uncovered this information. He sent a very gracious reply with a link to an article dated the 20th of March 2020 from “Basellandschaftliche Zeitung” (English: Basellandschaftliche Newspaper), or “bz,” a Swiss Standard German language daily newspaper. The article entitled “Curt Glaser case: The squaring of the cultural circle: an agreement has been reached in the Glaser case” (Mensch) discussed the restitution agreement that had been reached between Curt Glaser’s heirs and the Art Commission of the Basel Art Museum, which was one of the primary beneficiaries of the depressed prices Curt received for his art collection auctioned off in 1933.
Buried within this article was the following paragraph: “Glaser had no direct descendants. His first marriage to Elsa [née Kolker (1878-1932)], with which he had built up his collection, remained childless. His only daughter Eva, who had been born with a trisomy-21 impairment, also died as an eight-year-old child in Arlesheim, when Curt Glaser and his second wife Maria were already in exile in the USA.” Trisomy-21 is the most common form of Down syndrome, caused by an extra copy of chromosome number 21.
In conclusion, the chance to track down why Curt and Maria Glaser may have left their daughter behind when they moved to America in 1941 was only possible because of the prominence of Curt Glaser and the multiple articles written about him. Eva’s impairment is the likely explanation for why her parents chose to leave her in Switzerland, perhaps thinking she would receive better care there. Leaving Eva behind must have been a bitter pill to swallow for Curt and Maria. Interestingly, both Curt and his daughter died the same year, 1943. (Figure 22)
REFERENCES
Dictionary of Art Historians. “Glaser, Curt.” arthistorians.info/glaserc
Kunstmuseum Basel (translated Brailovsky). “Curt Glaser Report: III. Summary of Historical Facts.”
Kunstmuseum Basel. “The Curt Glaser Case: Research and Settlement.”
Mensch, Christian. “Curt Glaser Case; The Squaring of The Cultural Circle: In the Case of Glaser, An Agreement Has Been Reached.” Basellandschaftliche Zeitung [Basel], 27 March 2020. Fall Curt Glaser: Die Quadratur des Kulturzirkels: Im Fall Glaser wurde eine Vereinbarung getroffen | bz Basel
Parzinger, Hermann. “Remembrances of Curt Glaser: A cosmopolitan, forced into exile.” 5 September 2016.
VITAL STATISTICS FOR CURT GLASER & HIS IMMEDIATE FAMILY
| NAME | EVENT | DATE | PLACE | SOURCE |
| Curt Glaser (self) | Birth | 29 May 1879 | Leipzig, Germany | Breslau Marriage Certificate |
| Marriage (to Else Kolker) | 12 August 1903 | Breslau, Germany [today: Wrocław, Poland] | Breslau Marriage Certificate | |
| Marriage (to Maria Milch) | 30 May 1933 | Wilmersdorf, Berlin, Germany | Berlin Marriage Certificate | |
| Death | 23 November 1943 | Lake Placid, New York | Article “Curt Glaser Report: III. Summary of the Historical Facts” | |
| Elsa Kolker (first wife) | Birth | 7 May 1878 | Breslau, Germany [today: Wrocław, Poland] | Breslau Marriage Certificate; NYC arrival Passenger List (23 March 1932) |
| Marriage (to Curt Glaser) | 12 August 1903 | Breslau, Germany [today: Wrocław, Poland] | Breslau Marriage Certificate | |
| Death | 1932 | Article “Curt Glaser Report: III. Summary of the Historical Facts” | ||
| Maria Johanna Dorothea Clara Milch (second wife) | Birth | 27 January 1901 | Berlin, Germany | Berlin Birth Certificate |
| Marriage (to Curt Glaser) | 30 May 1933 | Wilmersdorf, Berlin, Germany | Berlin Marriage Certificate | |
| Marriage (to Ernst Eduard Asch (Ash)) | 1 August 1956 | Long Beach, New York | New York State Marriage Index, 1881-1967 | |
| Death | August 1981 | New York, New York | Social Security Death Index | |
| Eva Glaser (daughter) | Birth | 22 July 1935 | Switzerland | Maria & Curt Glaser’s “Declaration of Intention” to become US citizens, (16 October 1941) |
| Death (from Down syndrome) | 1943 | Arlesheim, Switzerland | “Basellandschaftliche Zeitung” article (20 March 2020) |