Note: This is a post about Dr. Hans Vogel, father of my Canadian third cousin Agnes Stieda née Vogel who was the subject of Posts 46 and 63. In this post, I briefly relate a few aspects of Dr. Vogel’s life and highlight one of his major accomplishments.
Related Posts:
Post 46: Wartime Memories of My Half-Jewish Cousin
Post 63: Remembering Some Ancestors Through My Cousin Agnes Stieda’s Photos
In the course of doing forensic investigations into my Jewish ancestors, I often learn they were renowned and very accomplished people. Where the forebears are unknown to me, I typically begin by searching their names on the Internet. Since all my father’s immediate ancestors were German, I also search for them on German Wikipedia. This post is the tale of one such individual, Dr. Hans Martin Erasmus Vogel, my third cousin Agnes Stieda née Vogel’s father. (Figures 1-2) Regular readers will recall that Agnes has been the subject of two earlier posts, and that her father has been mentioned in both. It is not my intention to present Dr. Vogel’s biography here, but merely to highlight a few relevant facts that reflect the era in which he lived and one of his major achievements.
I’ve previously told readers of my father’s family ties to Ratibor [today: Racibórz, Poland] in Upper Silesia, but there are other larger Prussian cities to which my extended family was connected, notably, Posen [today: Poznan, Poland], where my Pauly relatives were from, Breslau [today: Wrocław, Poland], and Stettin [today: Szczecin, Poland]. Dr. Hans Vogel was born in Stettin on the 28th of July 1897, and graduated from the Gymnasium, high school, there in 1916. Following his graduation until 1918, he was a Sergeant Major during WWI, and was badly wounded during the war. Upon his recuperation in 1919, he studied political science and in 1923 received his Dr. rer. pol. (Doctor rerum politicarum), Doctor of Political Science. Then, from 1923 to 1925, he studied art history in Marburg and Leipzig, and graduated with his Dr. phil. (Doctor philosophiae), Doctor of Philosophy.
From 1925 until 1932, Dr. Vogel worked as an art historian. He was a volunteer at the Kunstgewerbemuseum (Museum of Applied Arts) in Leipzig; established an art and local history museum in Zeulenroda in the state of Thuringia; was an assistant at the Städtisches Museum in Moritzburg; and was a lecturer for art history and a librarian at the Staatliche Kunstakademie in Kassel; after the Kunstakademie closed in 1932, he worked as a “wissenschaftlicher Hilfsarbeiter,” an unpaid scientific assistant, at the Gemäldegalerie and Landesmuseum in Kassel. In 1934, Dr. Vogel’s continued employment at the museum in Kassel was no longer possible because of his so-called “mixed marriage” to Agnes’s Jewish or “non-Aryan” mother, Susanne Vogel née Neisser. Between 1934 and 1935, while trying in vain to emigrate, he managed to secure a grant to inventory the building content and art collection of the Hohenzollern in Sigmaringen in southwestern Germany. This work caught the attention of Friedrich Heinrich Prinz von Preußen (Figure 3), who was a Prussian officer and member of the House of Hohenzollern, and led to a project in 1936 cataloging the Prince’s library and copperplate collection; by 1937 though Dr. Vogel was relegated to a clerical position in the property of the Prince.
Dr. Vogel’s daughter Agnes has fond memories of Friedrich Heinrich Prinz von Preußen (1874-1940) (Figures 4-5), not the least because he protected her family and provided work for her father during the war. Friedrich Heinrich was an interesting character. He studied law at Rheinische Friedrich-Wilhelms-Universität in Bonn; upon graduation he joined the military under a position of à la suite, which was a military title given to those who were assigned to the army or a particular unit for honor’s sake, and entitled to wear a regimental uniform, but otherwise had no official position. However, in early 1907 he was relieved from his position à la suite as a regimental commander because of his homosexuality. He was excluded from the Prussian army for this reason, but at the beginning of WWI he was once again allowed to become a soldier, but only at the rank of Gefreiter, basically a Private First Class, with no opportunity for promotion.
In late 1906, Friedrich Heinrich was nominated by Kaiser Wilhelm II as Lord Master of the Order of St. John as the successor to his late father who’d died earlier that year. The poorly kept secret of Friedrich Wilhelm’s homosexuality, however, caused him to ask the Kaiser to withdraw his nomination, which he did. Eventually, the press learned and published the motive for the change in leadership for the Knights of St. John, “because he [Friedrich Heinrich] suffers from the inherited perversion of the sex instinct.” Having been “outed,” he was urgently advised to leave Berlin. After stays in southern France and Egypt, Friedrich Heinrich lived from then on withdrawn on his Silesian estates where Dr. Vogel worked for him. According to published accounts, Friedrich Heinrich contributed greatly to the economic development of the southeastern part of the county of Glatz [today: Kłodzko, Poland] where his estate was located and was popular among his subjects because of his concern for their well-being.
Dr. Vogel remarked that living in the countryside in a state of complete social isolation left him with much time to continue his private art history studies, which served him well after the war. As the war progressed, Dr. Vogel was increasingly at risk from the Gestapo, on account of his “mixed marriage.” Forewarned in time, he fled to Potsdam, a suburb of Berlin. In Post 46, Agnes described it as such:
My father was responsible for bringing his Unit’s mail to the train, and when he noticed the train was headed to Berlin, he took that opportunity to jump onboard and defect, hoping to find us when he arrived in Potsdam; we had always found shelter there in the apartment of the mother of one my mother’s good friends. By defecting, my father had taken a huge risk since defectors were shot on sight. But he was not discovered and entered Berlin which was aflame.
Following the end of WWII, Dr. Vogel was unable to immediately find employment in a museum, so for a time worked at the local Municipal School Office in Potsdam retraining former teachers and training new ones. Then, in 1946, he was hired as the Director of the Staatlichen Kunstsammlungen Kassel (Museumslandschaft Hessen Kassel). When Dr. Vogel arrived, he found a bomb-destroyed gallery, so the reconstruction of the Kassel Museum after the war was largely his doing. Many of the museum’s monuments and paintings had been moved elsewhere during the war for safekeeping. One of the most important events during Dr. Vogels’s tenure as Director was the return of the so-called “Viennese Pictures” in 1955; this involved the repatriation of 64 very precious paintings including Rembrandt’s “Jacob Blessing the Sons of Joseph,” as well as artworks by Albrecht Dürer, Titian, Rubens and von Dyck. (Figures 6a-b) Given the legitimate hostility countries felt towards Germany after WWII and the prevailing “cold war,” it was certainly not a given all countries would return art work that had been squirrelled away inside their borders; a few might reasonably have viewed retention of these valuable masterpieces as reparations. Regardless, the fact that Dr. Vogel, on behalf of the Museumslandschaft Hessen (Museum of Hessian History (MHK)) (Figures 7a-b), was able to recover the Viennese Pictures certainly stands as one of his most significant achievements, almost a “monuments men” moment.
Dr. Vogel’s professional career, even circumscribed as it was by the Nazi era, was certainly more multi-faceted than the narrow description I’ve provided. MHK houses a diverse collection, carefully organized under Dr. Vogel’s tutelage, including the library and copper cabinet, picture gallery, pre- and early-historical collections, collections of folk art and costumes, the astronomical and physics cabinet, the collection of urban costumes, furniture and ceramics, as well as items from the former landgrave art chamber. On behalf of the museum, Dr. Vogel enriched the Old Masters Picture Gallery by acquiring 20 works by Jacob Jordaens, Thomas de Kayser, and an anonymous student of Rubens, as well as a series of paintings from the Tischbein Circle. He also purchased 14 Rembrandt etchings to form as a counterpart to the Rembrandt paintings hanging in Kassel retrieved from Vienna.
Having little to do with Dr. Vogel’s professional work, among his daughter Agnes’s papers, survives a very touching and simple hand-drawn picture by Dr. Vogel. It shows Dr. Vogel and his wife standing on the shore, depicted as a rabbit and a dog, watching sadly as Agnes, shown as a rabbit, sails aboard an ocean liner headed to Canada from Germany. (Figure 8)
Following his retirement in 1961, Dr. Vogel and his wife remained in Kassel where they are interred. (Figure 9)
