Note: In this postscript, I discuss some intriguing new information that has come to light about Heinz Ludwig Berliner since publication of the original post, details of which bring me closer to determining his fate.
Related posts:
Post 18: Remembering My Great-Aunt Charlotte “Lotte” Berliner, née Rothe, Victim of The Holocaust
Post 62: The Far-Flung Search for My Father’s First Cousin, Heinz Ludwig Berliner
I can never predict when or from where further traces of ancestors I’ve written about in earlier posts may materialize. In my original publication, I explained to readers the challenges I encountered trying to uncover concrete evidence of Heinz Ludwig Berliner, one of my father’s first cousins. I first learned about him from a fleeting reference in a document written by my third cousin Larry Leyser’s grandmother detailing the fate of some of our family’s ancestors. His grandmother briefly remarked Heinz Berliner immigrated to some unspecified country in South America after WWII, where he purportedly committed suicide.
As discussed in the original post, I was able to confirm Heinz Ludwig Berliner’s appearance in South America through the cover of a playbill (Figure 1) sent to me by Tema Goetzel née Comac, the wife of Heinz’s nephew; the playbill showed that Heinz, using his stage name “Enry Berloc,” had performed at the “Teatro Municipal,” in an unspecified South American country, on the 19th of March 1948 in the accompaniment of a “Witha Herm” and the “Maestro Kurt Kohn.” More on this later.
For two reasons, I never imagined it would be so difficult to track Heinz’s movements and eventual destination. First, both of Heinz’ s siblings, Ilse (Figure 2) and Peter Berliner (Figure 3), wound up in New York and were known to me since childhood. And, second, as alluded to above, I’m in touch with descendants of Heinz’s siblings, and assumed they would have letters or documents showing where he’d wound up; initially, all they found was the playbill cover to the 1948 recital in which Enry Berloc performed.
Heinz’s siblings were born in the same town in Upper Silesia where my father had been born, Ratibor [today: Racibórz, Poland], and I was able to locate both of their birth certificates when I visited the “State Archives in Katowice Branch in Raciborz”; vexingly, on two separate visits I could never find Heinz’s birth record, though it was logical to assume he too had been born in Ratibor. I even asked my Polish historian friend in Racibórz, Mr. Paul Newerla, to confirm my negative findings, and his initial efforts were similarly fruitless. As previously discussed, I began to think Heinz may have been born earlier out-of-wedlock and/or born in the town where his parents had married, Meseritz [today: Międzyrzecz, Poland]. I even contacted the archives there but was told the on-line birth records would not be available until this current year; this is on account of Poland’s legal requirement prohibiting the release of birth certificates until 110 years after a person’s birth, so in the case of Heinz possibly soon after his parents married in 1909 in Meseritz.
As readers may recall, this search became moot when I recently discovered a document in MyHeritage entitled “German Minority Census, 1939,” listing a Heinz Ludwig Berliner born on the 24th of September 1916 in Ratibor, showing he lived in the Charlottenburg District of Berlin in 1939, and indicating he had immigrated to Bolivia. (Figure 4) I had some initial doubts this was my father’s first cousin, but after transmitting this new information to Mr. Newerla, Paul was able to finally locate Heinz’s birth certificate in the State Archives in Raciborz, misfiled as it happens, confirming his parents’ names.
Researching the names and information found on the cover of the 1948 playbill, I thought the “Teatro Municipal” was in Buenos Aires, Argentina, as I told readers in my original post. Hoping to locate Berliners who may have wound up there before or after WWII, I turned to family trees on JewishGen, and contacted a lady in Australia who put me in touch with a Ms. Marcia Ras from Buenos Aires with Berliners in her family tree, who turned out to be exceptionally helpful.
Following publication of my original post, I sent Marcia a link to it, and she explained that Argentina’s Ministry of Education that had supposedly sponsored the 1948 recital at the Teatro Municipal had never borne the name “Ministerio de Educacion y Bellas Artes.” (Figure 5) Quick online searches showed that in both Venezuela and República Dominicana they were called that way. I sent an email to the Dominican Republic’s Ministry of Education but never received a response. Given Venezuela’s severely dysfunctional state, I never bothered to contact them. I searched for a similarly named entity in other South American countries to no avail.
Marcia could find no evidence Heinz was ever in Buenos Aires. She told me that if he was, he did not enter the country legally. Thousands of Jewish refugees entered Argentina and other South American countries illegally, especially between 1938 and 1949, so he may well have been among them. Marcia was unable to find his name mentioned anywhere. A Ms. Silvia Glocer, an expert in Jewish musicians seeking refuge in Argentina whom Marcia consulted, confirmed she’d also never heard Heinz’s or the maestro Kurt Kohn’s names. They stressed this did not mean they’d never been in Argentina, only that no evidence could be found they’d been there.
My ongoing search might well have ended here. However, out of the blue, Tema Goetzel sent me a photo from a chatelaine (i.e., a clasp or hook for a watch, purse, or bunch of keys) (Figures 6a-b), asking if I recognized Alfred Berliner, Heinz Berliner’s father. While I know Alfred Berliner was once interred in the Jewish Cemetery in Ratibor and included a photo of his former headstone in the original post, I had no photos of him against which to compare; eventually, Tema sent two more photos, a second of Alfred Berliner (Figure 7), and a third of Alfred Berliner’s wife, Charlotte Berliner née Rothe, with their three children. (Figure 8) At long last, I’d tracked down a photo of the elusive Heinz Berliner, albeit as a young child! (Readers are reminded that in Post 18, I told the story of Heinz Berliner’s mother who perished in Auschwitz in 1943.)
In the course of our recent conversations, I told Tema the Teatro Municipal I thought was in Buenos Aires was not in fact in Argentina; I related what Marcia Ras had explained to me. Tema, the source of the original playbill, thought it indicated the country. When I told her it didn’t, she again dug out the playbill and found three additional pages (Figures 9a-c) which she hadn’t previously sent, and these sheets specifically mentioned Bolivia, the country the “German Minority Census, 1939” document identified as Heinz’s destination. Armed with a country, I now quickly found a Teatro Municipal in La Paz. (Figure 10) Another puzzle solved.
Having confirmed from two independent sources Heinz’s connection to Bolivia, I again contacted the Bolivian affiliate of the World Jewish Congress, Circulo Israelita De La Paz, asking if they could check on Jewish musicians who may have sought refuge in Bolivia between roughly 1938 and 1949. This office has been gracious and helpful beyond measure but, to date, they too have been unable to confirm Heinz’s presence there. I think what is true of Jewish refugees entering Argentina illegally is also true of Bolivia. It may well be I’m unable to ever confirm whether or when Heinz died in Bolivia.
Marcia Ras discovered one other final intriguing thing. In the original post, I told readers that the Witha Herm mentioned in the 1948 playbill was a stage name for a woman known as Herma Wittmann, who died in 1992 in Los Angeles and is interred there. Similarly, the other musician mentioned in the playbill, Kurt Kohn, used an artistic name, Ray Martin (Raymond Stuart Martin). (Figure 11) A quick online search revealed Ray was born Kurt Kohn in Vienna, Austria on the 11th of October 1918, and came to live and work in England in 1937. He was noted for his light music compositions, and created a legacy for himself in British popular music through his work with his orchestra in the 1950’s. I even located a descriptive catalog of his musical recordings, and tried to contact the compiler, Alan Bunting, but learned he’d died in 2016. Fortunately, the discography was created in collaboration with a Nigel Burlinson, whom I was able to reach. Mr. Burlinson sent a very gracious reply telling me he did not think the “Kurt Kohn” who performed at the Teatro Municipal in 1948 was the popular music conductor “Ray Martin” because at the time he was in England conducting orchestras. What to make of this is unclear? Possibly, the musical recital in which Witha Herm and Enry Berloc performed in 1948 in Bolivia merely used one or more of Kurt Kohn’s musical scores as accompaniment?
So, as often happens in my forensic investigations, I take two steps forward, one step back. I now know what Heinz Berliner looked like as a child, and confirmed he indeed immigrated to Bolivia after 1939, but am still left to ponder how and when exactly he died and whether he passed away in Bolivia.
HEINZ LUDWIG BERLINER & HIS IMMEDIATE FAMILY
| Name (relationship) | Vital Event | Date | Place |
| Heinz Ludwig Berliner (self) | Birth | 24 September 1916 | Ratibor, Germany (Racibórz, Poland) |
| Death | after 1948 | possibly in Bolivia | |
| Alfred Max Berliner (father) | Birth | 6 November 1875 | Ratibor, Germany (Racibórz, Poland) |
| Marriage | 17 January 1909 | Meseritz, Germany (Międzyrzecz, Poland) | |
| Death | 19 February 1921 | Ratibor, Germany (Racibórz, Poland) | |
| Charlotte Henriette Rothe (mother) | Birth | 2 April 1886 | Meseritz, Germany (Międzyrzecz, Poland) |
| Marriage | 17 January 1909 | Meseritz, Germany (Międzyrzecz, Poland) | |
| Death | January 1943 | Auschwitz, Poland | |
| Peter Hermann Berliner (brother) | Birth | 8 November 1910 | Ratibor, Germany (Racibórz, Poland) |
| Marriage | 24 December 1948 | New York, N.Y., U.S.A. | |
| Death | 25 July 1977 | New York, N.Y., U.S.A. | |
| Pauline Ilse Berliner (sister) | Birth | 1 October 1911 | Ratibor, Germany (Racibórz, Poland) |
| Marriage | 2 April 1941 | New York, N.Y., U.S.A. | |
| Death | January 1981 | New York, N.Y., U.S.A. |
Great photos. This post highlights the lives of refugees as they “disappear” in plain sight in their newly adopted countries. Interested how this can happen when this history is not so long ago.