POST 161: FATE OR COINCIDENCE? THE FLEA MARKET FIND OF FEDOR LÖWENSTEIN PHOTOGRAPHS

Note: In this post, I briefly consider the philosophical question whether the chance discovery of family photographs of my father’s first cousin Fedor Löwenstein found in a Paris flea market was fated or coincidental. The circumstances under which the event occurred was so improbable that a small part of me wonders if it was not predestined.

Related Posts:

POST 21: MY AUNT SUSANNE MÜLLER, NÉE BRUCK, & HER HUSBAND DR. FRANZ MÜLLER, THE FIESOLE YEARS

POST 35: FATE OF SOME JEWISH GUESTS WHO STAYED AT THE VILLA PRIMAVERA (FIESOLE, ITALY), 1937-1938

POST 105: FEDOR LÖWENSTEIN ‘S NAZI-CONFISCATED ART: RESTITUTION DENIED

POST 160: UPDATE ON COMPENSATION CLAIM AGAINST THE FRENCH MINISTRY OF CULTURE INVOLVING NAZI-CONFISCATED FAMILY ART

 

In several earlier posts, I’ve mentioned my friend Ms. Madeleine Isenberg (Figure 1) who volunteers at the Jewish Genealogical Society of Los Angeles assisting members doing ancestral research. Madeleine once wrote an article for a periodical entitled “Avotaynu” detailing one of her research endeavors. She quoted her English uncle who claimed there is no such thing as coincidence, it’s all “beshert,” a Hebrew word for predestination or fate. My father Dr. Otto Bruck would have agreed with him.

 

Figure 1. Madeleine Isenberg and me in 2016

 

While I claim no adherence to this notion, I’ve come across several instances while doing ancestral research that make me think there may be an element of fate at work. Or, could it be as Branch Rickey, the brainy former General Manager of the Los Angeles Dodgers, once said that “Luck is the residue of design?” That’s to say, by planning and knowing where opportunities lurk, perhaps one is more apt to find oneself in a place where a coincidental find may be made. I don’t pretend to know the answer.

Buried in Post 21, published in February 2018, I recounted the story of a similar coincidental or fated event related to my family. Before moving to the subject of this post, I’ll review that earlier incident as it may have been overlooked by readers. Interestingly, it involves two elements of chance.

I estimate my uncle Dr. Franz Müller and aunt Susanne Müller, née Bruck, arrived in Florence, Italy in the early part of 1936, following their emigration from Germany to escape Nazi authoritarianism. Thanks to a friend my uncle knew in the Tuscan hill town of Fiesole, above Florence [Italian: Firenze] by the name of Dr. Gino Frascani, he and my aunt leased one of his villas, the Villa Primavera. (Figure 2) Eventually, in collaboration with an Austrian Jewish woman, Ms. Lucia von Jacobi (Figure 3), who’d also emigrated from Austria via Germany, my aunt Susanne and Lucia turned the Villa Primavera into a bed-and-breakfast. In Post 35, I discussed some of the guests who stayed there between 1937 and 1938 and their eventual fates.

 

Figure 2. Photograph of the Villa Primavera in 1938 taken by my father

 

 

Figure 3. Ms. Lucia von Jacobi in 1936-1937

 

In connection with my ancestral research, my wife Ann and I visited Fiesole and Florence in 2014, 2015, and 2016. Prior to our initial visit in 2014, I contacted the then-town archivist, Ms. Lucia Nadetti (Figure 4), at the “Archivio Storico Comunale,” the “Municipal Historic Archive,” and arranged to review pertinent documents. I’ve detailed the results of those archival investigations in Post 21, so refer readers to that post.

 

Figure 4. My friend Ms. Lucia Nadetti, the former archivist at the Municipal Historic Archive in Fiesole in 2014

 

Curious whether my uncle and aunt had purchased the Villa Primavera when they arrived in Fiesole, Ms. Nadetti directed us to the “Conservatoria Dei Registri Immobiliari” in nearby Firenze (Florence) to check ownership records.  Here, we learned the descendants of the former obstetrician/gynecologist Dr. Gino Frascani currently own two houses along Via Del Salviatino, the street where the Villa Primavera is located. However, the family no longer owns the villa though my uncle never purchased it.

The visit to the “Conservatoria,” however, resulted in the first of the two chance events mentioned above. In 2014, my wife and I were staying at a bed-and-breakfast on the outskirts of Fiesole, but rather than deal with Florence’s traffic to get to the Conservatoria, we took the bus.  While trying to ascertain where to catch the return bus at the end of the day, an English-speaking Italian woman, Ms. Giuditta Melli (Figure 5), noticed our confusion and confirmed we were in the right place. Giuditta was headed on the same bus, so we exchanged pleasantries on the ride, and she invited us to visit the ceramic shop near the Conservatoria where she teaches. Two days later we dropped by and mentioned our reason for visiting Fiesole. Giuditta was literally moved to tears because she’d recently learned that her great-uncle was Jewish and had been deported to Buchenwald from Firenze by the Italian Fascists and murdered there; the house where Giuditta currently lives was once owned by this great-uncle.  It should be noted that Giuditta is very familiar with the Villa Primavera as it’s located a stone’s throw from her home. Regardless, as we prepared to leave, we exchanged emails and promised to stay in touch.  This has turned into an exceptionally warm and productive friendship, one that led to the discovery of the second chance event.

 

Figure 5. My good friend, Ms. Giuditta Melli, in 2024 who my wife and I first met at a bus stop in Florence in 2014

 

Following our visit to Fiesole in 2015, my wife and I had not anticipated returning in 2016.  However, Giuditta made a surprising discovery while doing a casual online search of Lucia von Jacobi, the Austrian lady with whom my aunt ran the Pension Villa Primavera. As a result our plans changed. She learned of a professor, Dr. Irene Below (Figure 6), from Werther, Germany, who’d written a full-length book about Ms. Jacobi. Giuditta immediately contacted her, explained her interest in Lucia, told her of my aunt and uncle, and mentioned she was in touch and assisting me. Dr. Below was surprised to learn of Giuditta’s interest in people she’d studied and knew about, including my aunt and uncle.  Consequently, Giuditta invited Irene and my wife and me for a get-together at her home in 2016.

 

Figure 6. Dr. Irene Below at Parco di Monte Ceceri in Florence, Italy in 2016

 

Dr. Below explained how she came to write a book about Lucia von Jacobi.  She arrived in Firenze in 1964 as a student intending to write about the history of art.  While researching this topic, however, she happened upon magazines and diaries of an unknown person who turned out to be Ms. von Jacobi, a woman with very famous friends (e.g., Heinrich Mann and Thomas Mann, Gustaf Gründgens, etc.), and decided instead to write about her.  Then, as fate would have it, in 1966, Dr. Below walked into an antiquarian shop in Firenze (Figure 7) and discovered the bulk of Ms. Jacobi’s personal papers, which she soon purchased with her parents’ financial assistance.  For those unaware of events in Firenze in 1966, great floods along the Arno in November resulted in countless treasures being swept away and destroyed; if not for Dr. Below’s fortuitous discovery, the same would likely have happened to Ms. Jacobi’s papers.

 

Figure 7. The antiquarian shop in Florence where Dr. Below discovered Lucia von Jacobi’s personal papers

 

Readers may rightly wonder how or why Lucia’s personal papers wound up in an antiquarian shop in Florence. A little bit of historical context is necessary to explain how this likely happened. In May 1938, Hitler paid his second visit to Italy since becoming Chancellor of Germany in 1933 and the first since the two countries signed the Axis agreement in 1936. Over the course of seven days, Hitler and his extensive entourage were treated to a massive display of fascist spectacle in three cities: Rome, Naples and Florence. Hitler’s tour of Florence took place on May 9, 1938.

Soon after on July 14, 1938, Mussolini embraced the “Manifesto of the Racial Scientists.”  This Manifesto declared the Italian civilization to be of Aryan origin and claimed the existence of a “pure” Italian race to which Jews did not belong.  Between September 2, 1938, and November 17, 1938, Italy enacted a series of racial laws, including one forbidding foreign Jews from settling in Italy. Ms. Jacobi had just returned to Firenze from Palestine, but after passage of the racial laws, she escaped in October 1938 to Switzerland, forced to leave all her possessions behind. As a related aside, this corresponds with the same time that my aunt and uncle emigrated from Italy to France. Dr. Below surmises that Lucia’s personal papers remained in the Villa Primavera until Dr. Frascani’s descendants sold the house, after which they were sold to an antique dealer.

As to belongings among Lucia’s personal papers that relate to my aunt and uncle, there were several relevant items. Dr. Below discovered a photograph of Ms. Jacobi with my Uncle Franz seated on the same chairs as a photo I possess showing my aunt and uncle. (Figures 8-9) Another picture shows my aunt and uncle in their Sunday best. (Figure 10) Irene also found a card written by my Aunt Susanne to Lucia on July 31, 1938, from Champoluc in the Aosta Valley of Italy, where my aunt and uncle had gone on vacation. Most interesting is the surviving second page of a letter my Aunt Susanne wrote to Lucia when Lucia traveled to Palestine for three months in the latter half of 1938.

 

Figure 8. My uncle Dr. Franz Müller and Lucia von Jacobi at the Villa Primavera sometime between 1936 and 1938 seated at the same table and on the same chairs as my aunt and uncle as seen in Figure 9

 

Figure 9. My aunt and uncle at the Villa Primavera in 1938 seated at the same table and on the same chairs as seen in Figure 8

 

Figure 10. Photo of my aunt and uncle discovered by Dr. Irene Below in 1966 at an antiquarian shop in Florence

 

Thus, a chance encounter with an Italian lady Giuditta Melli on the streets of Florence in 2014 led to learning about Dr. Below who in 1966 walked into an antiquarian shop in Florence where she happened upon Lucia von Jacobi’s personal papers, the Austrian lady with whom my Aunt Susanne co-managed the Pension Villa Primavera in Fiesole between 1936 and 1938. Dr. Below then wrote a book about Lucia von Jacobi that my dear friend Giuditta stumbled upon. Included in this stash of papers are several items related to my family. Is this coincidence or predestination? I’ll let readers decide.

This brings me to a discussion of another more recent chance discovery. This involves a cache of photographs portraying my father’s first cousin, Fedor Löwenstein (1901-1946), that were found in a Paris flea market by a man named Nicolas Neumann (Figure 11) from Somogy Éditions d’Art; this is a French art book publishing house founded in 1937. Readers will recall that Fedor Löwenstein is my father’s first cousin who was most recently discussed in Post 160 and is the subject of my restitution and repatriation claim involving the French Ministry of Culture. Readers are invited to peruse my earlier post. However, let me review a few salient facts.

 

Figure 11. Nicolas Neumann from Somogy Editions who purchased documents and photos at a Paris flea market ca. 2015 belonging to Doris Halphen, Fedor Löwenstein’s onetime girlfriend

 

As mentioned in Post 160, I originally filed my claim for restitution and repatriation of Fedor Löwenstein’s artworks in October 2014. This was filed with the French Ministry of Culture’s (Premier Ministre) Commission pour la restitution des biens et l’indemnisation des victims de spoliations antisemites (CIVS), Commission for the restitution of property and compensation for victims of anti-Semitic spoliation. In May 2015 I traveled to Paris to discuss my claim with the CIVS and met staff members Mme. Muriel de Bastier and her intern Mlle. Eleonore Claret. (Figure 12)

 

Figure 12. In May 2015, me with Mme. Muriel de Bastier and her intern Eleonore Claret, CIVS staff

 

Several months later, Eleonore sent me photos of Fedor Löwenstein (Figure 13) from an exhibit on spoliated art that took place at the Centre national d’art et de culture Georges-Pompidou (“National Georges Pompidou Centre of Art and Culture”) in 2015. The origin of these photos was not explained so I sent an email to the Centre Pompidou requesting copies of the images and an explanation as to their source; I never heard back from them. I eventually ascertained the photos of Fedor Löwenstein that had been part of the 2015 museum exhibit at the Centre Pompidou originated from Nicolas Neumann’s find at the Paris flea market.

 

Figure 13. A page of photos showing Fedor Löwenstein originating from Nicolas Neumann’s find at a Paris flea market

 

Mr. Neumann determined the documents he’d found probably belonged to Fedor’s onetime girlfriend, Doris Halphen. (Figure 14) Mr. Neumann loaned the documents and photos he had purchased for the 2015 exhibit to the Centre Pompidou. Nicolas is friends with the retired Director of the Kandinsky Library, M. Didier Schulmann, who convinced him to donate the materials in February 2017 to the Kandinsky Library which is part of the Centre Pompidou.

 

Figure 14. Photograph from Doris Halphen’s album showing her with Fedor Löwenstein in Mirmande in the Drôme

 

The eclectic body of documentation is referred to as the “Corposano Archive Fund-Doris Halphen.” The archival collection comprises three significant groups. The first, the most substantial, is composed of documentation from the Corposano dance studio; the second is about Fedor Löwenstein; and the last is made up of biographical photographs and family albums.

The Kandinsky Library provides the following description about Doris Halphen, the Studio Corposano, and Fedor Löwenstein:

“Doris Halphen was born in Prague and co-founded the Corposano studio with her Finnish collaborator Marianne Pontan in 1932 in Paris. They taught a very innovative dance method at the time: the Hallerau-Laxenberg method. (Figures 15-18) The documents in the collection, mostly photographs, are both portraits of dancers in the studio and advertising items. Press articles and dance magazines provide an overview of the context of dance in the 1930s and 1940s and an understanding of the Hallerau-Laxenberg method and its principles.

 

Figure 15. Dancers from the Corposano Studio in Mirmande in the Drôme dancing the Hallerau-Laxenberg method

 

Figure 16. Dancers from the Corposano Studio in Mirmande in the Drôme

 

Figure 17. Doris Halphen, Fedor Löwenstein’s onetime girlfriend, dancing at Mirmande

 

Figure 18. Doris Halphen, Fedor Löwenstein’s onetime girlfriend, dancing at Mirmande

 

A second part of the collection consists of documentation on Fedor Löwenstein (1901-1946). Born in Munich on April 13, 1901, he studied at the School of Decorative Arts in Berlin, then at the Academy of Fine Arts in Dresden, where Oskar Kokoschka taught from 1919 to 1924. He joined France in 1923 and settled in Paris, attracted by the artistic influence of the capital. A lover of Doris Halphen, the painter’s Jewish and Czechoslovak condition forced him to leave Paris at the beginning of the war and take refuge in Mirmande in the Drôme. (Figure 19) The couple separated shortly afterwards, and Fedor Löwenstein lived a tumultuous passion with the artist Marcelle Rivier until October-November 1943.”

 

Figure 19. Postcard of Mirmande in Drôme in southern France, where Fedor Löwenstein went into hiding during part of WWII

 

The collection includes unidentified biographical photographs of Doris Halphen that were probably taken at the beginning of the twentieth century in Prague. Additionally, there are two photographic albums that retrace the memories of two summers in Mirmande in the Drôme, including one from 1938. Fedor Löwenstein and Doris Halphen are the recurring characters.

My April 2024 visit to Paris to attend a CIVS committee meeting where my compensation claim was being discussed provided a perfect opportunity to visit the Kandinsky Library where the Doris Halphen collection is archived. Appointments must be scheduled in advance. With the grateful assistance of Mme. Florence Saragoza, who originally helped me file my claim in 2014, I was able to make last-minute arrangements to examine and photograph the collection.

Fortunately, Mme. Muriel de Bastier, whom I first met in 2015 and who still works at the CIVS, accompanied my wife and me to the Kandinsky Library; I say fortunately because the line to enter the Centre Pompidou extended for blocks, and I otherwise would never have been able to view the Doris Halphen Collection before the museum closed. Muriel graciously also arranged for us to meet M. Didier Schulmann, the former Director of the Kandinsky Library, who gave me an extremely useful orientation to the collection. (Figure 20)

 

Figure 20. From left to right: Didier Schulmann, former Director of the Kandinsky Library, me, and Muriel de Bastier at the Centre Pompidou in April 2024

 

During my all-too brief visit, I concentrated on photographing the album with pictures of Fedor Löwenstein and Doris Halphen. (Figure 21-23) Among the images unlikely to have been recognized by any other researcher were two of Fedor with his sister Jeanne “Hansi” Goff, née Löwenstein (1902-1986) that were taken in Mirmande. (Figures 24-25) Unlike Fedor who died in 1946 before I was born, I met Hansi in Nice, France on multiple occasions as a child.

 

Figure 21. Fedor Löwenstein in Mirmande

 

Figure 22. Fedor Löwenstein in Mirmande

 

Figure 23. Fedor Löwenstein and Doris Halphen in Mirmande

 

Figure 24. One of two photographs of Fedor Löwenstein with his sister Jeanne “Hansi” Goff, née Löwenstein in Mirmande

 

Figure 25. Second of two photographs of Fedor Löwenstein with his sister Jeanne “Hansi” Goff, née Löwenstein, seated next to him, in Mirmande

 

An out-of-place picture I discovered in the collection was of the famous African American, Paul Robeson (1898-1976). He was an American bass-baritone concert artist, actor, professional football player, and activist who became famous both for his cultural accomplishments and for his political stances. Among the few pictures in Doris Halphen’s collection that is captioned it reads “Robeson at Wo-Chula.” (Figures 26a-b) I think this picture was taken in Chowula, Ghana, but the circumstances for its inclusion in Doris’ album is a complete mystery.

 

Figure 26a. Photo from Doris Halphen’s album of Paul Robeson at Wo-Chula, believed to be in Ghana

 

Figure 26b. Caption on picture of “Robeson at Wo-Chula”

 

I’ve never met nor communicated with Nicolas Neumann so am in the dark regarding the precise circumstances under which he found Doris Halphen’s collection. Regardless, I imagine he’s one of the few people who would have realized the significance of what he’d found and had connections with the Kandinsky Library to ensure the materials wound up in an archive where they would be properly cared for. From a personal standpoint, what is gratifying is that I was able to track down a previously unknown to me cache of Fedor Löwenstein photographs. The more existential question is that Nicolas Neimann even found Doris Halphen’s surviving papers and photographs. Again, I ask whether this was fated or coincidental?

 

 

REFERENCES

Isenberg, Madeleine. (2012). The Rotter Relic. AVOTAYNU, Volume XXVIII (Issue 4, Winter 2012), pp. 27-31.

Studio Corposano – Doris Halphen. Circa 1900-1950, Centre Pompidou, Paris, Kandinsky Library – Documentation and Research Centre of the National Museum of Modern Art – Centre for Industrial Creation, Call number: COR 1 – 4.

Studio Corposano – Doris Halphen, 1900-1950 | Funds and sub-funds | Union Catalogue of France (CCFr) (bnf.fr)

 

 

 

POST 35: FATE OF SOME JEWISH GUESTS WHO STAYED AT THE VILLA PRIMAVERA (FIESOLE, ITALY), 1937-1938

UPDATED MAY 18, 2021

(UPDATES IN RED)

 

I should like someone to remember that there once lived a person named David Berger.” (David Berger in his last letter, Vilna 1941, quoted from www.yadvashem.org brochure)

NOTE:  This post examines the fate of some of the Jewish residents and guests who stayed at the Villa Primavera in Fiesole, Italy, between roughly March 1937 and September 1938, the period during which my aunt Susanne Müller née Bruck co-managed the property as a bed-and-breakfast with a Jewish emigrant formerly from Austria and Germany, Ms. Lucia von Jacobi.  Investigating what became of the guests who stayed at the Villa Primavera during this time wound up upending my preconceived notion that the boarders were all Jewish emigrés permanently fleeing Germany.

Related Post:  Post 21: Aunt Susanne & Dr. Franz Müller, The Fiesole Years

Surviving historic records archived at the “Archivio Storico Comunale,” the “Municipal Historic Archive,” in Fiesole, place my aunt Susanne and my uncle Dr. Franz Müller’s arrival there in about March 1936, and their departure in mid-September 1938.  Beginning approximately a year after their arrival, that’s to say, in March 1937, and continuing until they left for France in mid-September 1938, registration logs from the Villa Primavera record numerous guests.  I was surprised at the large number of visitors who stayed there, mostly Jewish, and just assumed my aunt and uncle hosted them as they tried to escape Europe and Nazi persecution.  While I eventually came across a reference indicating my aunt and Ms. Jacobi had run the Villa Primavera as a bed-and-breakfast, explaining the multiple boarders, this did not initially alter my view that the Jewish guests had already permanently fled Germany, Austria, Belgium, and Switzerland, never to return.

Figure 1. “Soggiorno degli Stranieri in Italia” (Stay of Foreigners in Italy) form for my great-aunt Franziska Bruck

To remind readers, during Italy’s Fascist era, all out-of-town visitors to Fiesole and elsewhere were required to appear with their hosts at the Municipio, or City Hall, provide their names and those of their parents, declare their occupation, state when and where they were born, show their identity papers, give their passport numbers, divulge their anticipated length of stay, and complete what was called a “Soggiorno degli Stranieri in Italia,” or “Stay of Foreigners in Italy.” (Figure 1) As readers will rightly conclude, collecting this information represented a vast invasion of privacy, although forensic genealogists can glean an enormous amount of useful ancestral data.  While virtually all the Soggiorno forms state the reason for the guest’s visit as “turismo,” tourism, I concluded this was a “cover” for their real purpose, planning their escape to America or elsewhere.  There can be little doubt in examining the Soggiorno forms that most guests were educated and accomplished people of means, likely with good personal and professional contacts elsewhere in the world who could sponsor them and help them obtain travel visas.  That said, this did not ensure that Jews were able to obtain such outside help or even intended to leave Europe.

Figure 2. My aunt Susanne Müller née Bruck, murdered in Auschwitz in September 1942
Figure 3. My great-aunt Franziska Bruck, suicide victim of the Holocaust in January 1942

 

 

 

 

 

 

 

 

Figure 4. My first cousin twice-removed, Auguste “Gusti” Schueck, murdered in the Theresienstadt Ghetto in May 1943

With the Soggiorno forms and Fiesole registration ledgers in hand, using ancestry.com, the United States Holocaust Memorial Museum and Yad Vashem Holocaust victims’ databases, as well as general Internet queries, I set out to try and determine the fate of as many of the guests of the Villa Primavera as possible.  With respect to my own family, I already knew what had happened to them, in particular that my beloved aunt Susanne (Figure 2) and my great-aunt Franziska Bruck (Figure 3) had both died in the Holocaust; similarly, I already knew that one of my first cousins twice-removed, Auguste “Gusti” Schueck (Figure 4), had died in the Theresienstadt Ghetto in Czechoslovakia on May 28, 1943.  But, I was very curious whether other individuals who had passed through the Villa Primavera suffered a similar fate or managed to find sanctuary elsewhere.  The findings upended my preconceived notion that the guests at the Villa Primavera were on a one-way journey out of Europe at the time they stayed in Fiesole.

Below is a table, alphabetically-arranged, of the Jewish residents and boarders who stayed at the Villa Primavera between March 1937 and September 1938, with comments as to their destiny, where discovered. Below the table, I highlight a few individuals, discussing some interesting things I’ve learned about them, including pictures, where found. 

NAME (NATIONALITY) DATE & PLACE OF BIRTH DATE & PLACE OF DEATH COMMENT
       
Argudinsky née Fleischer, Elisabetta (UNKNOWN) 11/24/1873 Reichenbach, Germany Unknown Destiny: Unknown
Bachrach née Bachmann, Elvire (SWISS) 9/15/1872   Karstein Unknown Destiny: Unknown
Baerwald née Lewino, Charlotte Victoria (GERMAN) 8/6/1870        Mainz, Germany 3/16/1966                St. Gallen, Switzerland Destiny: Immigrated to America, died in Switzerland      (Figure 5)
Berend, Eduard (GERMAN) 12/5/1883 Hannover, Germany 1973  Marbach, Germany Destiny: Left Germany in 1939, returned after WWII
Bergmann née Neufeld, Amalie  (GERMAN) 4/16/1881       Posen, Germany Unknown Destiny: Unknown
Brieger née Elias, Else           (GERMAN) 2/19/1888      Posen, Germany Unknown Destiny: Unknown
Bruck née Berliner, Else (GERMAN)(Figure 6) 3/3/1873      Ratibor, Germany 2/16/1957             New York, NY Destiny: Immigrated to America
Bruck, Eva (GERMAN)     (Figure 7) 8/19/1906 Barcelona, Spain 8/15/1977    Ainring, Germany Destiny: Immigrated to Spain, died in Germany             (Figure 8)
Bruck, Franziska (GERMAN) 12/29/1866 Ratibor, Germany 1/2/1942          Berlin, Germany Destiny: Suicide victim of the Holocaust
Bruck, Otto (GERMAN)    (Figure 42)
4/16/1907   Ratibor, Germany 9/13/1994            New York, NY Destiny: Immigrated to America
Cohn née Pollack, Caroline  (GERMAN) Unknown Unknown Destiny: Unknown
Cypres, Jacques (BELGIAN) 10/29/1904 Antwerp, Belgium Unknown Destiny: Immigrated to America        (Figure 9)
Donath, Ludwig (GERMAN) 3/6/1900      Vienna, Austria 9/29/1967            New York, NY Destiny: Immigrated to America
Donath née Camsky, Maria Josefa      (GERMAN) 8/20/1902    Vienna, Austria 4/21/1975      Vienna, Austria Destiny: Immigrated to America, returned to Austria after her husband’s death
Elias, Dr. Carl Ludwig    (GERMAN) 9/19/1891       Berlin, Germany 1942         Auschwitz, Poland Destiny: Murdered in Auschwitz
Fleischner née Schoenfeld, Gabriele Ann Sophie  (AUSTRIAN)(Figures 10a &b) 10/12/1895  Vienna, Austria 9/22/58 Massachusetts Destiny: Immigrated to America, died Gabriele Anna Fleischner-Lawrence
Fleischner, Dr. Konrad George (AUSTRIAN)(Figures 11a& b) 10/12/1891   Vienna, Austria 9/1963 Massachusetts Destiny: Immigrated to America, died Conrad Lawrence
Goldenring, Eva (GERMAN) 10/29/1906   Berlin, Germany 12/1969 Wilmington, DE Destiny: Left Germany for France & Spain; eventually immigrated to America
Goldenring, Fritz (GERMAN) 9/11/1902 12/15/1943 Shanghai, China Destiny: Left for Shanghai where he died in the Shanghai Ghetto
Goldenring née Hirsch, Helene (GERMAN) 3/25/1880   Ratibor, Germany

 

1/12/1968     Newark, NJ Destiny: Left for Chile & eventually immigrated to America
Grödel, Emilie (GERMAN) Unknown Unknown Destiny: Unknown
Hayoth HAYDT, Dr. Eugen (GERMAN)

 

4/19/1906

Metz, France

Unknown

1/17/1973

Sydney, Australia

Destiny: Unknown

Arrived in Sydney, Australia on 2/6/1939 aboard the ship “NIEUW HOLLAND”;

Died as Alvin Eugene Werner Haydt or A.E.W Haydt

Hayoth HAYDT née Winternitz, Lilly (GERMAN) 8/12/1908

Vienna, Austria

Unknown

2/4/1997

Sydney

Destiny: Unknown

Arrived in Sydney, Australia on 2/6/1939 aboard the ship “NIEUW HOLLAND”

 

Heilbronner, Dr. Paul Milton (GERMAN)  (Figures 12 & b) 11/22/1904 Munich, Germany 4/6/1980           Santa Barbara, CA Destiny: Immigrated to America, died as Paul Milton Laporte
Heilbronner née Wimpfheimer, Sofie         (GERMAN)  (Figures 13a & b) 3/18/1876 Augsburg, Germany 3/26/1965              Los Angeles, CA Destiny: Immigrated to America, died as Sofie Broner
Herz, Dr. Phil. Emanuel Emil (GERMAN) 4/5/1877         Essen, Germany 7/8/1971   Rochester, NY Destiny: Immigrated to America      (Figure 14)
Herz née Berl, Gabriele (GERMAN) 4/26/1886   Vienna, Austria 1957           Rochester, NY Destiny: Immigrated to America
Hirschfeldt née Wolff, Katharina (GERMAN) 4/16/1866      Berlin, Germany Unknown Destiny: Unknown
Jacobi née Goldberg, Lucia von (GERMAN) 9/8/1887      Vienna, Austria 4/24/1956   Locarno, Switzerland Destiny: Fled to Switzerland where she died after WWII
Kleinmann née Lewensohn, Gretchen (GERMAN) 12/31/1894 Hamburg, Germany Unknown Destiny: Unknown
Kleinmann, Dr. Phil & Med. Hans (GERMAN) 9/28/1895     Berlin, Germany Unknown Destiny: Unknown
Kleinmann née Luvic, Sophie (GERMAN) 11/27/1863   Memel, East Prussia Unknown Destiny: Unknown
Kuhnemund née Goldschmidt, Helene Ida (GERMAN) 3/15/1901       Berlin, Germany Unknown Destiny: Unknown
Leven née Levÿ, Johanna  (GERMAN) 6/25/1866 Koenigshoeven, Germany 7/2/1942 Theresienstadt Ghetto, Czechoslovakia Destiny: Murdered in Theresienstadt Ghetto
Leyser née Schueck, Auguste  (GERMAN) 1/26/1872    Ratibor, Germany 10/5/1943 Theresienstadt Ghetto, Czechoslovakia Destiny: Murdered in Theresienstadt Ghetto
Locker, Dine Martha       (POLISH) Unknown Unknown Destiny: Unknown
Maass, Margarete (GERMAN) 2/16/1880 Friedberg, Germany Unknown Destiny: Unknown
Matthias, Julius (GERMAN) 5/15/1857 Hamburg, Germany 5/16/1942 Hamburg, Germany Destiny: Died in Germany during WWII
Müller, Dr. Franz (GERMAN)    (Figure 15) 12/31/1871      Berlin, Germany
10/1/1945     Fayence, France Destiny: Left for Italy & France, where he died
Müller née Bruck, Susanne  (GERMAN)    (Figure 42)
4/20/1904  Ratibor, Germany ~9/7/1942 Auschwitz, Poland Destiny: Murdered in Auschwitz
Nienburg née Niess, Emmy (GERMAN) 8/16/1885      Berlin, Germany Unknown Destiny: Appears to have died in Germany after WWII
Oppler née Pinoff, Gertrude (GERMAN) 1/13/1876     Görlitz, Germany 3/9/1952   Frankfurt, Germany Destiny: Died in Germany after WWII; (granddaughter of Marcus Braun, subject of Post 14)
Rosendorff, Friederike Elfriede (GERMAN) 11/28/1872     Berlin, Germany Unknown Destiny: Appears to have died in Germany after WWII
Sakheim née Plotkin, Anuta (PALESTINIAN)(Figure 16) 2/15/1896         Lodz, Poland 8/1939                      Tel Aviv, Palestine Destiny: Suicide
Schoop, Paul (SWISS) 7/31/1907      Zurich, Switzerland 1/1/1976     Van Nuys, CA Destiny: Immigrated to America
Steinfeld née Blum, Jenny       (GERMAN) 10/24/1865 Deutsch Eylau, West Prussia 8/27/1942        Berlin, Germany Destiny: Suicide victim of the Holocaust
Figure 5. Report of Charlotte Victoria Baerwald’s Death in Switzerland in March 1966
Figure 6. My grandmother Else Bruck née Berliner in 1925

 

 

 

 

 

 

 

 

Figure 7. Eva Bruck in Barcelona in May 1950
Figure 8. Eva Bruck’s Death Certificate from Ainring, Germany, August 1977

 

 

 

 

 

 

 

 

Figure 9. Manifest of Alien Passengers showing Belgian Jew Jacques Cypres’s arrival from Porto, Portugal to NYC in July 1941
Figure 10a. Gabriele Fleischner’s 1940 Naturalization Record
Figure 10b. Gabriele Fleischner in 1940

 

 

 

 

 

 

 

Figure 11a. Konrad Fleischner’s 1940 Naturalization Record
Figure 11b. Konrad Fleischner in 1940

 

 

 

 

 

 

 

Figure 12a. Paul Heilbronner’s 1939 Naturalization Record
Figure 12b. Paul Heilbronner in 1939

 

 

 

 

 

 

 

Figure 13a. Sofie Heilbronner’s 1944 Naturalization Record
Figure 13b. Sofie Heilbronner in 1944

 

 

 

 

 

 

 

Figure 14. Emanuel Emil Herz’s 1938 Swiss Emigration form
Figure 15. My uncle Dr. Franz Müller on his 70th birthday in December 1941 in Fayence, France

 

 

 

 

 

 

 

 

Figure 16. Anuta Sakheim who committed suicide in Palestine in August 1939
Figure 17. My aunt Susanne & her husband Dr. Franz Müller in 1938 at the Villa Primavera in Fiesole, Italy
Figure 18. Lucia von Jacobi in 1936-37, at the Villa Primavera in Fiesole, Italy

 

 

 

 

 

 

 

 

In the case of several people associated with the Villa Primavera, including my aunt and uncle (Figure 17), Lucia von Jacobi (Figure 18), and Charlotte Baerwald, their intent had been to stay in Fiesole “per sempre,” forever.  In the case of most guests, however, their anticipated length of stay typically varied between a few weeks and two months.

 

Eduard Berend

 

Figure 19. Eduard Berend in 1939

Eduard Berend (Figure 19) was an eminent editor of the works of Jean Paul (1763-1825), a German Romantic writer.  After fighting in WWI, Berend pursued an academic career, but on account of anti-Semitism, he was rejected as a teacher at three German universities.  In 1927, the Preußische Akademie der Wissenschaften, the Prussian Academy of Sciences, eventually commissioned him with the historic-critical edition of the works of Jean Paul.  By 1938, he had completed 20 of the 32 planned volumes, works that established Jean Paul as one of the most important writers of German classicism, alongside Goethe and Schiller.  Still, he was dismissed by the Prussian Academy in 1938.  Soon thereafter he was sent to the concentration camp of Sachsenhausen, and was only released on the condition that he leave Germany immediately.

Prior to WWII, Eduard Berend had developed an unlikely friendship with a Heinrich Meyer, a Goethe scholar at the Rice Institute in Houston with Nazi sympathies.  Desperate, Berend turned to Meyer for help in December 1938.  In spite of Henrich Meyer’s Nazi leanings, which landed him in prison in Texas in 1943 and ultimately got him fired, Meyer secured an affidavit for Berend to leave Germany for Switzerland where he even supported Berend financially.  After the war, Berend continued his work on Jean Paul.  He went back to Germany in 1957, and by the time of his death in 1973, had completed twenty-eight volumes.

Figure 20. The “Soggiorno degli Stranieri in Italia” 1937 form for Eduard Berend showing his 1934 passport number
Figure 21. Eduard Berend’s 1939 Passport

 

 

 

 

 

 

 

 

The passport on which Eduard Berend traveled to Switzerland in 1939 was different than the one on which he traveled to Fiesole in May 1937, comparing the number on the Soggiorno form (Figure 20) with that on his 1939 passport, found on the Internet. (Figure 21)

Franziska Bruck

I was able to procure a copy of my great-aunt Franziska Bruck’s death certificate from the Landesarchiv Berlin. (Figure 22)  The certificate states the gruesome way in which she killed herself on January 2, 1942, “selbstmord durch erhängen,” suicide by hanging, no doubt after being told to report to an old-age transport for deportation. (Figure 23)

 

Figure 22. My great-aunt Franziska Bruck’s 1942 Death Certificate showing her cause of death
Figure 23. My great-aunt Franziska Bruck’s Stolperstein in Wilmersdorf, Berlin

 

 

 

 

 

 

 

 

In previous posts, I’ve explained to readers that beginning in 1937-38, all German Jewish men had to be called “Israel,” and all German Jewish women had to be called “Sarah”; these names were added to official birth, marriage and death certificates.  Readers will note that on my great-aunt’s death certificate, the name “Sara” has been added.

My great-aunt Franziska spent two months at the Villa Primavera between September and November 1937.  I’ve often wondered what her fate might have been had she not returned to Berlin. I can only surmise that like many Jews, she was either in denial as to what might happen upon her return, or her options for leaving Germany were limited.

Ludwig & Maria Donath

Figure 24a. Ludwig Donath’s 1940 Naturalization Record
Figure 24b. Ludwig Donath in 1940

 

 

 

 

 

 

 

Figure 25a. Maria Donath nee Camsky’s 1940 Naturalization Record
Figure 25b. Maria Donath nee Camsky in 1940

 

 

 

 

 

 

Figure 26. Character actor Ludwig Donath

Ludwig Donath (Figures 24a & b) and his wife, Maria Donath née Camsky (Figures 25a & b), were among the last German Jewish guests at the Villa Primavera, staying for no more than a month in July-August 1938.  Ludwig Donath was a famous character actor (Figures 26 & 27) who’d had a distinguished career on the stages of Vienna and Berlin, before leaving Nazi Germany in 1933.  He and his wife arrived in Hollywood via Switzerland and England, departing from Liverpool for New York in February 1940.  Donath appeared in many American films, with at least 84 credits to his name, and was often typecast as a Nazi in films from 1942. (Figure 28)  He was briefly blacklisted in the 1950’s for alleged left-wing connections, but resumed steady television work in 1957 for the remainder of his life.

Figure 27. Character actor Ludwig Donath
Figure 28. Character actor Ludwig Donath in the role of Adolf Hitler

 

 

 

 

 

Carl Ludwig Elias

Figure 29. 1899 painting by Lovis Corinth of “Carl Ludwig Elias 7 1/4”

Carl Ludwig Elias was born in 1891 to a distinguished art critic, Dr. Julius Elias, who was instrumental in promoting French Impressionism in Germany.  Likely because of his father’s connections with the art world, an oil portrait of “Carl Ludwig Elias 7 ¼” by Lovis Corinth was painted in 1899. (Figure 29)  Carl Ludwig was a lawyer in Berlin and immigrated to Norway when the Nazis came to power.  Nonetheless, after the Nazis invaded Norway in December 1940, he was captured and deported with 500 other Jews from Denmark to Auschwitz in 1942, where he was murdered.

Helene Goldenring

Figure 30. 1940 Berlin Address Book listing Helene Goldenring

Helene Goldenring visited the Villa Primavera on two occasions, for about a month between May-June 1937, and, again, between December 1937 and January 1938 for two months.  Both of her children, Eva and Fritz Goldenring, who’ve been discussed in earlier posts, were also guests on separate occasions.  Helene’s name appears in a Berlin phone directory as late as 1940 (Figure 30), indicating she returned to Germany after her sojourns in Fiesole.  At some point, she seems to have joined her brother, Dr. Robert Hirsch, in Chile, before eventually immigrating to America in 1947 after his death, where she reunited with her only surviving child, Eva. (Figure 31)

Figure 31. Helene Goldenring and her daughter Eva after they reunited in America, Easter 1960

 

Eugen & Lillian Haydt

In May 2021, I was contacted by Ms. Tamara Precek, a most delightful Czech lady who has resided in Barcelona, Spain for the past 20 years. She is researching the Winternitz families that lived in Prague around 1850, of whom Lillian Haydt née Winternitz is descended. Tamara asked me to send her the “Soggiorno degli Stranieri in Italia” forms for Eugen (Figure 43) and Lillian (Figure 44), suspecting I had misread their surnames. Indeed, I had mistaken HAYDT as “Hayoth.”

 

Figure 43. The “Soggiorno degli Stranieri in Italia” form for Eugen Haydt

 

Figure 44. The “Soggiorno degli Stranieri in Italia” form for Lillian Haydt née Winternitz

 

Tamara has recently been able to learn what happened to them after their brief stay at the Villa Primavera. They managed to immigrate to Australia, arriving there on the 6th of February 1939 aboard the ship “NIEUW HOLLAND.” Dr. Eugen Haydt changed his named to Albin (Alvin) Eugene Werner (Warner) Haydt (A.E.W. Haydt) but was still generally known as Eugene Haydt. He was a tradesman, and died on the 17th of January 1973; his wife may have worked with him, and passed away on the 4th of February 1997. They appear not to have had any children.

Ms. Precek even found a picture of the apartment building where they resided in Sydney. (Figure 45)

 

Figure 45. Apartment building in Sydney where Eugen and Lillian Haydt lived after they immigrated to Australia in 1939

 

Lucia von Jacobi

Ms. Jacobi co-managed the Villa Primavera as a bed-and-breakfast with my aunt Susanne.  She fled Fiesole in 1938 in favor of Switzerland, leaving everything behind, including her personal papers, which were miraculously found in Florence and saved by a German researcher in 1964, Dr. Irene Below (see Blog Post 21 for the full story).

Johanna Leven

Figure 32. Page from the Memorial Book for Jewish Victims of Nazi Persecution for Johanna Leven

Johanna Leven stayed at the Villa Primavera for the first two months of 1938, but clearly returned to Germany after her stay.  She was eventually deported from Mönchengladbach, Germany to the Theresienstadt Ghetto in then-Czechoslovakia, where she perished in 1942. (Figure 32)

Julius Matthias

Figure 33. Julius Matthias’s May 1942 Death Certificate

Julius Matthias was among the oldest guest to have stayed at the Villa Primavera, being almost 80 when he visted there between March and April 1937.  After his days in Fiesole, he returned to Hamburg, Germany, where he died on May 16, 1942, seemingly of natural causes (i.e., senility, broncho-pneumonia).  His death certificate (Figure 33) states he was a non-practicing Jew, although this fact would not have prevented him from being deported to a concentration camp.  His death certificate assigned him the name “Israel” to identify him as a Jew.

Paul Schoop

Figure 34. Paul Schoop with unknown woman, possibly his sister Trudi Schoop

Paul Schoop was born in 1907 in Zurich, Switzerland, one of four accomplished offspring (with Max Schoop (b. 1902); Trudi Schoop (b. 1903); Hedwig “Hedi” Schoop (b. 1906)) of a prominent family.  Paul’s father, Maximilian Schoop, was the editor of Neue Zurcher Zeitung and president of Dolder Hotels.  Paul (Figure 34) came to America in September 1939, and eventually joined his three siblings in Van Nuys, California.  He was an accomplished composer, concert pianist and conductor, first in Europe and later in America.  Paul’s brother-in-law was Frederick Maurice Holländer (Figures 35a & b), the famed composer and torch song writer, who’d once been married to one of Paul’s sister, Hedi Schoop. (Figures 36a & b)

Figure 35a. Paul Schoop’s famous brother-in-law, Friedrich Maurice Holländer’s 1935 Naturalization Form
Figure 35b. Friedrich Maurice Holländer in 1935

 

 

 

 

 

 

 

Figure 36a. Paul Schoop’s sister, Hedwig “Hedi” Holländer nee Schoop’s 1935 Naturalization Form
Figure 36b. Poor quality photo of Hedwig “Hedi” Holländer nee Schoop in 1935

 

 

 

 

 

 

 

I surmise the reason the Schoop children came to America is because of greater economic and professional opportunities rather than on account of Nazi persecution.

Jenny Steinfeld

Figure 37. Jenny Steinfeld’s name on a Manifest of Alien Passengers sailing from Bremen, Germany to NYC in April 1937

Jenny Steinfeld’s tale is a poignant one.  Her name appears with that of her son, Paul Steinfeld, on an April 1937 manifest of boat passengers bound from Bremen, Germany to New York. (Figure 37)  A scant five months later, between September and November 1937, she is a guest at the Villa Primavera, clearly having come back from America.  Jenny eventually returns to Berlin, and on August 27, 1942 commits suicide there, yet another victim of Nazi persecution. (Figure 38)  As with my great-aunt Franziska, who too returned to Berlin from Fiesole, one wonders why Jenny walked back into the maws of death. 

Figure 38. Page from the Memorial Book for Jewish Victims of Nazi Persecution for Jenny Steinfeld

This post deals only in passing with my immediate and extended Bruck family.  For this reason, it involved considerably more forensic research, as most of the guests at the Villa Primavera were previously unknown to me.  Still, learning more about these people was important to me.  In some small way, as the Holocaust victim David Berger wrote in 1941, I hope I have honored and recognized a few other Jewish victims of Nazi persecution so they are not forgotten.

SIDEBAR

Figure 40. My first cousin once-removed, Kay Lutze, with Anja Holländer in Amsterdam, Netherlands in October 2017

Regular readers will know the enjoyment I derive making connections between people and events related to my family.  One of my German first cousins, once-removed, Kay Lutze, is friends with an Anja Holländer, living in Amsterdam, Netherlands. (Figure 39)  Anja is related to Frederick Maurice Holländer, the brother-in-law of Paul Schoop, who stayed at the Villa Primavera.  In assembling this involved Blog post, I recollected this fact and also that Anja claims a relationship to my Bruck family.  I asked Kay whether he knew the relationship, and he could only tell me that the mother of a Holländer named LUDWIG HEINRICH HOLLÄNDER was a Bruck.   Curious about this, I researched this man on ancestry.com, and, indeed, discovered various historic documents that confirm the distant relationship of the Holländer family to my Bruck family.  Ludwig’s mother was HELENE HOLLÄNDER née BRUCK (1812-1876), who I think is my great-great-great-great-aunt; Helene was married to a BENJAMIN HOLLÄNDER (1809-1884).  I discovered his death certificate (Figures 40a & b), along with that of their son Ludwig (1833-1897). (Figures 41a & b)

Figure 40a. Benjamin Holländer’s Death Certificate (1809-12 May 1884) identifying his wife as Helene Bruck (misspelled as “Boch”)
Figure 40b. Translation of Benjamin Holländer’s Death Certificate

 

 

 

 

 

 

 

 

Figure 41a. Ludwig Heinrich Holländer Death Certificate (4 Feb 1833-12 March 1897) identifying his mother as Helene Bruck
Figure 41b. Translation of Ludwig Heinrich Holländer’s Death Certificate

 

 

 

 

 

 

 

 

As we speak, I am trying to learn how Anja is related to Friedrick and Helene Holländer née Bruck.  Watch this space!

Figure 42. My father, Dr. Otto Bruck, and his sister, Susanne Müller née Bruck, at the Villa Primavera in 1937 or 1938

POST 30: FAMILY ”PILGRIMAGE” 2018

I typically interject myself into Blog posts only to relate forensic discoveries related to my family research.  This post is an exception.  Below readers can see images from my wife’s and my recently completed European vacation to Spain, Germany, Poland, Czech Republic and Austria.  We were gone 44 days, stayed in 22 different places, flew more than 14,000 miles, drove 4,000 miles, and walked over 250 miles.  The number that stands out though are the roughly 35 family, friends, and acquaintances we met or revisited along the way, a family history “pilgrimage” of sorts.  These people greatly enhanced our journey, inspired us, educated us, furthered my family research, and expanded our horizons.  To these fellow travelers we dedicate this Blog post. 

The tone for our family history tour was set by the actual pilgrimage my wife Ann and I made along a portion of the historic route to Santiago de Compostela in Spain that earned us our “Compostela.”  (Figure 1)  The Compostela is the accreditation one receives by completing the pilgrimage to the Tomb of St. James in Santiago de Compostela, Spain.  In our case, we obtained our accreditation by walking the last 118km, or 73 miles, of the pilgrimage route from Sarria to Santiago over five days between May 16th and May 20th, 2018.

Below, readers will find a gallery of portraits of family, friends and colleagues we met on our journey.

Figure 1. Ann & me celebrating our Compostela in Santiago, Spain, May 2018
Figure 2. With my distant cousin Ronny Bruck & his wife Erika.  Guardamar del Segura, Spain, May 2018
Figure 3. With my cousin Ronny Bruck who is sporting a broken right shoulder.  Ronny has translated many historic German documents for me.  Guardamar del Segura, Spain, May 2018

 

 

 

 

 

 

 

 

Figure 4. My second cousin Margarita Vilgertshofer née Bruck with her son-in-law Daniel, daughter Susanne, and husband Erich.  Daniel & Susanne dressed in typical Bavarian garb on the occasion of our visit.  Fürstenfeldbruck, Germany, May 2018
Figure 5. Margarita’s brother, Antonio Bruck, another second cousin, with his wife Inge.  Munich, Germany, May 2018

 

 

 

 

 

 

Figure 6. With my third cousin, Anna Rothholz. Munich, Germany, May 2018
Figure 7.  With another third cousin, Andi Pauly, whose father developed a detailed family tree showing connections between our families & who collected many family photos that Andi has shared. Munich, Germany, May 2018

 

 

 

 

 

 

 

 

 

Figure 8. Ashok Sridharan, Indian-origin Mayor of Bonn, participating in the Feast of Corpus Christi holiday parade. Sigi Meiborg, who is writing her PhD. dissertation on Franz Mockrauer, one of my father’s first cousins, lives in Bonn. May 2018
Figure 9. Entrance to the house where Ludwig van Beethoven was born in Bonn, Germany, May 2018

 

 

 

 

 

 

 

 

 

 

 

Figure 10. Ann with my deceased first cousin Wolfgang Lutze’s family. His widow Gisela is seated, and her two children, Kay & Katya, are behind her. Hilden, Germany, June, 2018
Figure 11. My father’s dear friends from his days in the Free State of Danzig, Peter & Lolo Lau, with their granddaughter Sandra, her husband Kalojan, and their twin boys, Paul & Jan. Peter identified many people in my father’s pictures from his days in Tiegenhof as a dentist. Oberhausen, Germany, June 2018

 

 

 

 

 

 

 

 

 

 

Figure 12. With Dr. Irene Below, author of a book on Lucia von Jacobi, the Austrian lady with whom my dear Aunt Susanne co-managed the Villa Primavera Pension in Fiesole, Italy. Werther, Germany, June 2018
Figure 13. Standing by the grave of Josef Mockrauer, buried in the Jüdischer Friedhof in Weissensee. Josef was one of my father’s uncles, and father of Franz Mockrauer, subject of Sigi Meiborg’s PhD. Berlin, Germany, June 2018

 

 

 

 

 

 

 

 

 

Figure 14. Ann and me with Mr. Paul Newerla, retired lawyer & scholar on the history of Ratibor, where my father was born. Paul has taught me a lot about the history of Ratibor and been very generous with his time.  Raciborz, Poland, June 2018
Figure 15. Standing with Paul Newerla  by the historic statue of John of Nepomuk, once located on Neumarkt near where the Berliner Brauerei once stood, now situated in the middle of a parking lot. Raciborz, Poland, June 2018

 

 

 

 

 

 

 

 

 

Figure 16. Our English-speaking Polish friend, Malgosia Ploszaj, from Rybnik, Poland, near Raciborz. Malgosia is very active studying the former Jews of Rybnik, and has helped me enormously reviewing historic records at the Polish State Archives in Raciborz. Raciborz, Poland, June 2018
Figure 17. Ann with yet another of my third cousins, Kurt Polborn & his wife Irmgard. Kurt has also translated historic German documents for me & taught me a lot about German history. Landsberg am Lech, Germany, June 2018

 

 

 

 

 

 

 

Figure 18. Anna Rothholz’s younger brother, Walter, yet another third cousin. Schliersee, Germany, June 2018
Figure 19. Ann with my third cousin Anna Rothholz’s husband, Gunter Geiss. Schliersee, Germany, June 2018

 

 

 

 

 

 

 

 

Figure 20. Ann with my sibling second cousins, Antonio & Margarita. Schliersee, Germany, June 2018
Figure 21. With my second cousin Margarita & her husband Erich at a Rathskeller. Munich, Germany, June 2018

POST 21: MY AUNT SUSANNE, NÉE BRUCK, & HER HUSBAND DR. FRANZ MÜLLER, THE FIESOLE YEARS

Note:  This post is the next chapter in my Aunt Susanne and Uncle Franz’s story, following their departure in late 1935 or early 1936 from Berlin to escape the increasingly repressive National Socialist regime, when they sought refuge in Fiesole, Italy.  There are certain family history stories I look forward to writing and sharing with readers, and this is one such tale, when, albeit briefly, my relatives held out hope they might survive the homicidal madmen threatening Europe in the lead-up to WWII and lead normal lives.  Much about the roughly two-and-a-half years my aunt and uncle spent in Fiesole remains unknown, including why they decided to immigrate here.  Still, some of what I’ve learned as recently as 2016 provides a sound basis to speculate why they may have moved here.

In Post 1, I introduced readers to a quote by the brainy, former executive of the Los Angeles Dodgers, Branch Rickey, who once said that “Luck is the residue of design.”  The story I’m about to relate about my Aunt Susanne and her esteemed husband, Dr. Franz Müller, and the discoveries I made about their years in Fiesole, Italy, speaks volumes to this truth.

Figure 1-Roman amphitheater in Fiesole

 

I can’t remember exactly when I first learned that my aunt and uncle had lived in Fiesole, a gorgeous Tuscan town, founded by the Etruscans in the 9th-8th centuries B.C., located on the scenic heights to the northeast of Firenze (Florence).  However, I recall when I first visited Fiesole.  It was in the 1990’s, long before I became interested in family history, when I was a mere archaeologist and my aim was simply to visit the Roman ruins that are the town’s main tourist attraction. (Figure 1)  I’ve always imagined the tawny landscape and gently rolling hills of Tuscany as an inviting billowy pillow in which to do a face-plant.  So, it’s easy to comprehend the attraction Tuscany might have held for Jewish immigrants in the face of the malign forces that surrounded them.

The current post organizes chronologically all the information I’ve collected about my aunt and uncle during three visits to Fiesole, in 2014, 2015, and again in 2016.  Before starting my family investigations, I had no idea, for example, when my aunt and uncle departed Berlin, nor when they arrived in Fiesole.  But, as I explained in the previous post, I learned from the Grundbuch, or “real estate register” for the property my uncle owned in Berlin-Charlottenburg, that he sold his house there in November or December 1935, and likely departed with my aunt soon afterwards.  Similarly, in conjunction with what I eventually discovered in Fiesole, I place their arrival there in the first quarter of 1936.

Figure 2-My father with two cousins, Eva Bruck & Eva Goldenring, and his sister Susanne (right) on May 10, 1938 after he arrived in Fiesole

Judging from the dated pictures in my father’s photo albums, he too departed Germany, likely from Berlin, two years later, in early March 1938.  Between March 5th and March 9th, my father spent several days visiting the tourist attractions in Vienna, Austria, seemingly in the company of other Jewish émigrés.  Having lost his profession, and bewildered as to what the future held, he headed for Fiesole.  Along the way, my father stopped to do some skiing and hiking in the Dolomite Mountains and passed through a town in Alto Adige, Italy, named Bolzano or Bozen; this is a place my wife and I have visited on several occasions for reasons having nothing to do with family history, and everything to do with the famed 5,000-year old “Ötzi the Iceman,” discovered in the Tyrolean Alps, who is displayed at the Museum of Archaeology in Bolzano.  Eventually, my father arrived in Fiesole, his pictures never specifying exactly when though I ultimately worked this out. (Figure 2)

Figure 3-1938 Fiesole Emigration Register with my aunt & uncle’s names listed

Knowing of my family’s association with Fiesole, I decided to contact the Municipio,” or City Hall there, and inquire about any documentary evidence they might possess on my aunt and uncle.  When I accessed their website, I was pleasantly surprised to discover a branch of the Municipio called “Archivio Storico Comunale,” the “Municipal Historic Archive.”  I immediately contacted them on March 27, 2014, explained my family’s connection to Fiesole, provided my aunt and uncle’s names, and the street name where they’d lived, Via del Salviatino, and asked for any relevant information.  Amazingly, the very next day the town’s archivist, Ms. Lucia Nadetti, responded by sending me a page from Fiesole’s emigration register from 1938 with my aunt and uncle’s names listed. (Figure 3)  The speed with which I was able to find evidence of my aunt and uncle’s presence in Fiesole left me breathless.

Fiesole’s emigration register placed my aunt and uncle’s arrival in Fiesole as April 30, 1936, and their departure to France as September 16, 1938; the register, among other things, showed they lived at Via del Salviatino 14, a place I only later learned was named the “Villa Primavera” (Figures 4a & 4b), and shared living accommodations with an Austrian woman named Lucia von Jacobi.  For reasons I will get into below, I actually place my aunt and uncle’s arrival in Fiesole a month earlier, on March 31, 1936.  Lucia Nadetti further explained there was no evidence my aunt and uncle paid taxes on their residence, and concluded they were probably renting the house, a question I resolved to answer when I visited Fiesole in 2014. 

Figure 4a-Postcard illustrating the Villa Primavera

 

Figure 4b-Photo of the Villa Primavera taken in 1938 by my father

After studying the 1938 emigration register (see Figure 3), I followed up with a few questions related to abbreviations and Italian words I could not make out.  Ms. Nadetti explained my aunt was shown as “coniugi,” married to Franz, and identified as “a.c.,” or “Atta a casa,” namely, a housewife.  By contrast, Ms. Jacobi was described as “benestante,” or well-to-do, and registered as a “vedova,” or widow. 

Figure 5-Ms. Lucia Nadetti, our friend and archivist at the “Archivio Storico Comunale”

 

I told Ms. Nadetti of our plans to vacation in Fiesole later in 2104, and she promised to show me everything she’d found when we came.  My wife and I eventually turned up at the “Archivio Storico Comunale” in Fiesole in June 2014, the year we spent 13 weeks visiting places associated with my family’s diaspora, traveling from Gdansk, Poland to Valencia, Spain.  By the time we showed up, Ms. Nadetti (Figure 5) had collected the registration logs listing all my aunt and uncle’s guests.   During Italy’s Fascist era, all out-of-town visitors were required to appear with their hosts at the Municipio, provide their names, show their identity papers, indicate their anticipated length of stay, and complete what was called a “Soggiorno degli Stranieri in Italia,” or “Stay of Foreigners in Italy.”  I was a bit surprised at the rather large number of guests my aunt and uncle had hosted, but simply attributed this to my relatives offering accommodations to Jews fleeing Germany.

Figure 6- The “Soggiorno degli Stranieri in Italia” for my great-aunt Franziska Bruck who eventually returned to Berlin and committed suicide in January 1942

These registration forms, while highly intrusive, are enormously informative for doing genealogical research, uncovering names of visitors, and establishing timelines for these guests. When completing the “Soggiorno” forms (Figure 6), guests were required to provide the names of both their parents, including the mother’s maiden name, plus their own date and place of birth.  While these forms have not survived for all the guests who stayed with my aunt and uncle, those that remain are particularly useful.  In a future Blog post, I will relate the stories of some guests whose fate I’ve been able to determine.

 

Figure 7-The immigration log showing my father Otto Bruck’s arrival in Italy on May 10, 1938, and his registration in Fiesole on May 26, 1938

The immigration log recorded my father’s arrival in Italy, following his departure from Vienna, as May 10, 1938 (Figure 7), and his registration at the Comunale in Fiesole as May 26th.  Given that my father had been in Vienna as late as May 9th, I surmise he arrived in Italy by an overnight train.  The immigration register records a second visit by my father in September 1938, which I’ll discuss below.

Initially, I didn’t know whether my uncle ever owned Via del Salviatino 14, so upon our arrival in Fiesole, Ms. Nadetti directed me to the “Conservatorio Dei Registri Immobiliari” in nearby Firenze to check ownership records.  Here, we learned the descendants of a former obstetrician/gynecologist, named Dr. Gino Frascani, own two houses along Via Del Salviatino, numbered 12 and 14; my uncle, it turns out, never owned the Villa Primavera.  Naturally, I assumed Via del Salviatino 14 was the house where my aunt and uncle had once lived, an erroneous supposition as it turned out.

Figure 8-Our Italian friend Ms. Giuditta Melli

The visit to the Conservatorio turned out to be fortuitous, but not simply for what we learned there.  In 2014, my wife and I were staying at a bed-and-breakfast on the outskirts of Fiesole, and rather than deal with the city traffic to get to the Conservatorio, we took the bus there.  By happenstance, while trying to ascertain where to catch the return bus at the end of the day, a delightful English-speaking Italian woman, Ms. Giuditta Melli (Figure 8), noticed our confusion and confirmed we were in the right place.  She was headed on the same bus, so we exchanged pleasantries on the ride, and she invited us to visit the ceramic shop near the Conservatorio where she teaches.  Two days later we dropped by and mentioned in passing the reason for our visit to Fiesole.  Giuditta was moved to tears because she’d recently learned that her great-uncle was Jewish and had been deported to Buchenwald from Firenze by the Fascists and murdered there.  As we prepared to leave, we exchanged emails and promised to stay in touch.  This turned into an exceptionally productive friendship.

Figure 9-The Fiesole immigration log showing my aunt and uncle were guests of Dr. Gino Frascani beginning on March 31, 1936

After our visit to the Conservatorio, my wife and I paid a return visit to Ms. Nadetti at the Archivio Storico Comunale to update her on our findings.  Reminded of Dr. Frascani’s connection to properties along Via del Salviatino, Ms. Nadetti consulted an immigration register from 1936, similar to ones she’d shown us from 1937 and 1938.  In it, she discovered my aunt and uncle initially were guests of Dr. Frascani at Via del Salviatino 14, the house they ultimately leased from him; this document shows my aunt and uncle arrived in Fiesole on March 31, 1936, and registered at the Municipio on April 7th, in other words, a month earlier than the emigration register that placed their arrival there on April 30, 1936. (Figure 9)

Figure 10-The results of Fiesole’s mayoral election of October 17, 1920 showing Dr. Gino Frascani won by two votes

Having definitively linked my Uncle Franz to Dr. Gino Frascani, Ms. Nadetti found and shared a few documents about the doctor, and, eventually even compiled a summary of Dr. Frascani’s activities as a City Councilman for Fiesole through four legislative terms, 1905, 1910, 1914 and 1920.  We also learned Dr. Frascani had been Mayor of Fiesole (Figure 10) for a time but forced to quit after being threatened by the Fascists on account of his socialist leanings.  Interestingly, the roster of mayors listed on a placard in the Municipio does not even include Dr. Frascani.

 

Figure 11-Dr. Gino Frascani, right, on the steps of the Istituto di Cura Chirurgica del Salviatino ca. 1909

One document given to us by Ms. Nadetti showed Dr. Frascani (Figure 11) paid for construction of an “Istituto di Cura Chirurgica del Salviatino,” dedicated to his mother, Ersilia Frascani, built in 1908-09 along Via del Salviatino in Firenze. (Figure 12)  The sanatorium was divided into sections for: general and special surgery; gynecology; obstetrics; and medical services.  Dr. Frascani, a truly remarkable man whose life story begs to be told, even maintained free beds in the institute’s common infirmary for “charity.”  The Istituto still stands today, regrettably no longer as a hospital, but rather as exclusive condominiums.

 

Figure 12-The “Istituto di Cura Chirurgica del Salviatino”

Having for the moment learned as much as we could from the various archives and city offices, my wife and I set out to locate Via del Salviatino 14.  One could almost characterize this search as a comedy of errors.  Prior to visiting Fiesole, I had located the house on Google Earth, so assumed I knew what I was looking for. 

Figure 13-My wife Ann standing in front of Via del Salviatino 14 in Firenze we mistook for the house where my aunt and uncle once lived

Via del Salviatino 14 is situated in an exclusive section of town, and when we finally located the address, the street-facing side of the apartment building did not appear as it had in my father’s pictures. (Figure 13) Coincidentally, the day we first visited, two black SUVs with tinted windows and burly guards, obviously protecting a high-ranking government official, refused to let us access the rear of the building to check.  Confronted with this obstacle, we were forced to strategically retreat.  When we returned the next day, the portly guards were gone, and we were able to access the building’s backside.  Clearly, this was not the house my aunt and uncle had lived in.

Figure 14-Street sign along Via del Salviatino indicating boundary between Fiesole & Firenze

Puzzled, I returned to the street, and discovered my mistake.  Via del Salviatino begins in Firenze (Florence), almost at the point where the “Sanatorio Frascani” is located, BUT, continues into Fiesole; in other words, Via del Salviatino transects both towns, and as fate would have it, the divide between Fiesole and Firenze is directly in front of the Via del Salviatino 14 we were standing at in Firenze. (Figure 14)

Figure 15-Mailboxes along Via del Salviatino, including #14, that also was not the Villa Primavera

Having resolved this issue, we quickly found the Via del Salviatino 14, in Fiesole, a short distance up the street.  On one of three mailboxes at this location with house numbers 12, 14 and 14a (Figure 15), is the name “R. FRASCANI.”  Naturally, we concluded this was a descendant of Dr. Frascani, and that he resides in the house where my aunt and uncle had once lived.  We drove up the dirt road, rang the bell at the gated entrance to his bed-and-breakfast, but no one answered.  However, we ran into a young man riding a Moped, a childhood friend of Mr. Frascani, as it happens; he called Ranieri on his cellphone and we spoke briefly.  However, since neither of us spoke the other’s language well, we agreed I would send him an email with my questions upon my return to the states, which is in fact what I did.  Regardless, it would be another year before we met in person and I got answers to some of my queries.

In the interim, I maintained contact with Giuditta Melli.  One day, she discovered a fleeting reference in a German article saying my Aunt Susanne Müller-Bruck and her housemate, Lucia von Jacobi, had co-managed a pension.  Given the large number of guests that had stayed at the Villa Primavera, this should have been obvious from the start.

Figure 16-Maria Agata Frascani, Giuditta Melli, myself and Ranieri Frascani, October 2016, Fiesole

In anticipation of our 2015 visit to Fiesole, Giuditta invited my wife and I to stay with her and her family at their large villa in Firenze, only a short distance from Via del Salviatino.  Giuditta also arranged and served as translator for our meeting with Ranieri, the grandson of Dr. Gino Frascani, and his mother, Ms. Maria Agata Frascani, née Mannelli, the daughter-in-law of Dr. Frascani. (Figure 16)  It was

Figure 17-Sign for the Villa Primavera, today numbered Via del Salviatino 16

during this get-together that we finally learned the house where Ranieri lives and has his B&B is not the Villa Primavera.  In fact, as we found out at the Conservatorio the year before, his family owns both Via del Salviatino 12 and 14.  However, sometime after 1940, houses along Via del Salviatino were renumbered, and the Villa Primavera (Figure 17) reassigned the number “16.”  Ranieri showed us the adjacent Villa Primavera from his property and told us the house no longer belongs to his family. 

After our get-together with Ranieri Frascani, his mother invited us to her home (Figure 18) and showed us the thick album with photos and articles related to the construction and opening of the Istituto di Cura Chirurgica del Salviatino in 1908-09. (Figure 19)

Figure 18-The former house of Dr. Frascani, Via del Salviatino 18, where his daughter-in-law currently resides
Figure 19-Copy of letter addressed to Doctor Frascani

 

Having finally resolved that the Villa Primavera where my aunt and uncle had once resided was now numbered Via del Salviatino 16, I’ve tried on several occasions to contact the current owners, to no avail.

Figure 20-Dr. Irene Below, author of a book on Ms. Lucia von Jacobi, at Parco di Monte Ceceri, Firenze, October 2016

Following our visit to Fiesole in 2015, my wife and I had not anticipated returning in 2016.  However, Giuditta made a surprising discovery while researching Lucia von Jacobi, the Austrian lady with whom my aunt ran the Pension Villa Primavera, and our plans changed.  She learned of a professor, Dr. Irene Below (Figure 20), from Werther, Germany, who’d written a full-length book about Ms. Jacobi.  Giuditta immediately contacted Dr. Below, explained her interest in Lucia, told her of my aunt and uncle, and mentioned she was in touch and assisting Dr. Franz Müller’s nephew.

Dr. Below was surprised to hear from Giuditta and learn of her interest in people Irene had studied and knew about.  Dr. Below related a fascinating tale.  She came to Firenze in 1964 as a student intending to write about the history of art.  While researching this topic, however, she came across magazines and diaries of an unknown person who turned out to be Lucia von Jacobi, a woman with very famous friends (e.g., Heinrich and Thomas Mann, Gustaf Gründgens, etc.), and decided instead to write about her.  Then, amazingly, in 1966, Dr. Below walked into an antiquarian shop in Firenze and discovered the bulk of Ms. Jacobi’s personal papers, which she soon purchased with her parents’ financial assistance.  For those aware of events in Firenze in 1966, great floods along the Arno in November resulted in countless treasures being swept away and destroyed; if not for Dr. Below’s fortuitous discovery, the same would likely have happened to Ms. Jacobi’s papers.

Figure 21-Ms. Lucia von Jacobi at the Villa Primavera in 1936 or 1937 (CREDIT : Akademie der Künste, Berlin, Lucy-von-Jacobi-Archiv, Nr. Sign. 85_01.)

Dr. Below explained that beginning in 1936, Lucia von Jacobi (Figure 21), together with my aunt and uncle rented the Villa Primavera, and soon after began to take in guests.  Ms. Jacobi arrived in Firenze in December 1934, via Vienna, Prague, Meran, and Ascona.  However, according to Dr. Below, Lucy traveled from Berlin, so my aunt and uncle may already have known Lucy in Berlin or had friends in common.

As to the relationship of my uncle to Dr. Frascani, I’ve been unable to discover how they met.  However, since both were doctors, I assume they worked together professionally before my aunt and uncle moved to Fiesole. While it’s likely Dr. Müller worked in Dr. Frascani’s sanatorium, there’s some uncertainty about this as I discuss below.

Dr. Below sent Giuditta a PowerPoint presentation and scientific paper she delivered in 2009 at the “Kunsthistorisches Institut in Florenz,” entitled “Florenz 1935-1938: Zuflucht – Treffpunkt – Sehnsuchtsort.  Lucy von Jacobi (1887-1956) und ihre Pension Villa Primavera,” translated roughly as “Florence 1935-1938: Refuge – Meeting – Longing.  Lucy von Jacobi (1887-1956) and Her Pension Villa Primavera.”  Seemingly, for a brief period between 1935 and 1938, German refugees, especially those interested in arts and culture, found refuge in Firenze, and gathered with friends and like-minded people at the Villa Primavera for recreation and conversation, brought together by Ms. Jacobi.  Immigrants and guests mingled with locals to discuss Florentine art, Tuscan cuisine, the landscape, architecture from near and far, and more.  I imagine my aunt and uncle may have been attracted to Fiesole for the same reasons other Jewish émigrés were, the intellectual milieu and attractive setting; in the case of my uncle, the ability to continue working as a doctor may also have been a factor.

Figure 22-Ms. Lucia Nadetti & Dr. Irene Below at the at the “Archivio Storico Comunale”

At Giuditta’s invitation, Dr. Below, as well as my wife and me, all gathered in Firenze in October 2016. (Figure 22)  This gave us an opportunity to discuss other things Dr. Below had learned from Lucia’s papers.  Regarding my aunt and uncle, there were several remarkable items found in Lucia’s belongings.  Dr. Below discovered a photograph of Ms. Jacobi with my Uncle Franz seated on the same chairs as a photo I possess showing my aunt and uncle. (Figures 23 & 24) She also found a card written by my Aunt Susanne to Lucia on July 31, 1938, from Champoluc in the Aosta Valley, Italy, where my aunt and uncle had gone to rest.

Figure 23-Ms. Lucia von Jacobi and my Uncle Franz at the Villa Primavera (CREDIT : Akademie der Künste, Berlin, Lucy-von-Jacobi-Archiv, Nr. Sign. 85_28)
Figure 24-In 1938, my Aunt Susanne & Uncle Franz at the Villa Primavera seated on the same chairs shown in Fig. 23

 

Perhaps, most interesting is the second page of a letter my Aunt Susanne wrote when Lucia traveled to Palestine for three months in the latter half of 1938.  This trip may have been prompted by Hitler and Mussolini’s visit to Firenze on May 9, 1938, soon after resulting in Mussolini’s embrace of the “Manifesto of the Racial Scientists” on July 14, 1938.  Basically, this Manifesto declared the Italian civilization to be of Aryan origin and claimed the existence of a “pure” Italian race to which Jews did not belong.  Between September 2, 1938 and November 17, 1938, Italy enacted a series of racial laws, including one forbidding foreign Jews from settling in Italy.  Ms. Jacobi had just returned to Firenze, but after passage of the racial laws, she escaped in October 1938 to Switzerland, forced to leave all her possessions behind.  Dr. Below surmises that Lucia’s personal papers remained in the Villa Primavera until Dr. Frascani’s descendants sold the house, likely shortly before they wound up in the antiquarian shop.

Dr. Below explained that following Ms. Jacobi’s return from Palestine, she was constantly being watched and her mail monitored.  Curious as to whether the same might have applied to my uncle, I asked Dr. Below about this and she gave me the name of a German researcher, Mr. Klaus Voigt, who has examined the files at the “Archivio centrale dello Stato” (“Central Archives of the State”) in Rome on people who were monitored during Italy’s Fascist era. 

Mr. Voigt explained that monitoring of people like my uncle would have been done by the local Questura, that’s to say, the police in the province of Firenze, and that he never found a file on my uncle in the archives in Rome.  He further revealed all these local files, stored in the basement of the Uffizi, were destroyed in the 1966 inundations in Firenze, previously mentioned.  Seemingly, the only files that survive at the Archivio centrale dello Stato in Rome were for important opponents of Fascism.

Mr. Voigt shared another interesting fact about my uncle.  Dr. Franz Müller’s name was familiar to Mr. Voigt as a teacher at the Landschulheim Florenz, which was directed by two German-Jewish émigrés.  During his stay in Firenze, my Uncle Franz taught a special course there for medical-technical assistants.  For this reason, I’m uncertain whether he also worked in the “Sanatorio Frascani” during his years in Firenze.

 

Figure 25-The Fiesole immigration log showing my father registered a second time on September 15, 1938

I began this post with mention of the 1938 emigration log sent to me by Ms. Nadetti, indicating my aunt and uncle departed Firenze on September 16, 1938.  Previously, I also mentioned that my father’s name, Otto Bruck, was recorded in the immigration log a second time.  He registered on September 15, 1938 (Figure 25), for a stay of two weeks, but I surmise he left with my aunt and uncle, and, as it happens, my grandmother the next day. 

Figure 26-Fiesole’s immigration log for May 1938 listing my uncle, grandmother and Lucia von Jacobi

Within two weeks of Hitler and Mussolini’s visit to Firenze on May 9, 1938, Jewish immigrants who’d not previously registered with the Municipio were required to do so.  This included my Uncle Franz, my grandmother Else Bruck, née Berliner, and Lucia von Jacobi, but, oddly, not my Aunt Susanne. (Figure 26)  Their names all appear in the registration logs in May 1938, their length of stays shown as “per sempre,” that’s to say, forever.  Clearly, forever lasted only a few more months.

 

REFERENCE

Below, Irene and Ruth Oelze

2009  “Lucy von Jacobi: Journalistin”  Mit Aufsätzen und Kritaken.  Deutsche Kinemathek (Berlin).  München Ed. Text + Kritik.  Film & Schrift, Band 9.

Figure 27-The Tuscan landscape as seen from the Villa Primavera in 1936 (CREDIT : Akademie der Künste, Berlin, Lucy-von-Jacobi-Archiv, Nr. Sign. 85_45)