Note: This post is about the Kantorowicz branch of my family, many of whom originated in Posen, Prussia [today: Poznan, Poland], some of whom made their way to America or South America prior to WWII. It tiers off the previous post and delves into that part of the Kantorowicz family tree I reconstructed using photographs provided by Bettina Basanow née Meyer, discussed in Post 90, and her third cousin to whom she introduced me, Enid Sperber née Kent.
Related Posts:
Post 90: The Long & Winding Road Leading to Relatives from Brazil
At the risk of immediately disengaging some readers by discussing a branch of my extended family that is of no interest to them, I encourage people to focus less on the specific individuals and more on the process by which I was able to reconstruct a part of the Kantorowicz family tree; these are steps fellow travelers may be able to replicate in researching their own families.
Let me provide some brief orientation. The Kantorowicz family, like the Pauly family I have often written about, both originated in Posen, Prussia [today: Poznan, Poland]. The patriarch of the Pauly family, Dr. Josef Pauly (1843-1916) (Figure 1) was married to Rosalie Mockrauer (1844-1927) (Figure 2), and together they had nine children, all of whom I have also written about. Josef Pauly’s sister was Rosalinde Pauly (1854-1916) (Figure 3), who was married to Max Kantorowicz (1843-1904). (Figure 4) I first came across Max and Rosalinde Kantorowicz in a group picture showing them attending the 1901 marriage of Josef and Rosalie Pauly’s daughter, Maria Pauly. (Figure 5) Using the Pauly Stammbaum, family tree, I was able to visualize connections between their families and my own, all of us related by marriage.
In Post 90, I told readers how my third cousin, Andi Pauly, gave a me copy of a letter his father Klaus had received in 1989 from Porto Alegre, Brazil from a Gertrud “Traute” Meyer née Milch (Figure 6), who was the granddaughter of Max Kantorowicz; attached to this letter were poor quality xerox photos of Max and his extended family. I also explained that through the auspices of my social media-savvy cousin, Danny Alejandro Sandler, I was eventually able to establish contact with Traute Meyer’s daughter, Bettina Basanow née Meyer (Figure 7), who has lived in Denver for the past 50 years.
Upon establishing contact with Bettina, I quickly asked her if she could send me higher quality examples of photos her mother had sent Klaus Pauly in 1989. Bettina graciously obliged and even included supplementary photos. One low resolution photo she sent shows five of Max Kantorowicz’s siblings, each identified by name. (Figure 8) While I made a mental note of the picture, I did not fully appreciate its significance at the time.
Fast forward. As I have mentioned on multiple occasions, I add people to my family tree primarily to orient myself to those I write about in my blog. As I was updating my tree and contemplating writing about the Kantorowicz branch, I checked both ancestry.com, and MyHeritage for Max’s siblings. Imagine my surprise when I came across a very high-resolution copy of the identical picture Bettina Basanow had sent of Max’s five siblings (Figure 9); unlike Bettina’s picture, however, the version on MyHeritage did not identify them by name. With a nice photo in hand and named relatives, I decided to add Max’s siblings to my tree. While I thought this would be the end of things, in fact it turned out to be merely the beginning.
I sent Bettina the better picture of Max Kantorowicz’s siblings, thinking she might be interested. At the same time, I also mentioned having once searched for descendants of Max Kantorowicz’s granddaughter, Vera Peters née Kantorowicz (1907-1994) (Figure 10), in California, to no avail. This prompted Bettina to suggest I contact a lifelong friend of hers, Enid Sperber née Kent, living in Los Angeles, who she thought might have had some contact with this branch of the family. Bettina explained that Enid was the daughter of William “Bill” Kent and Irene Tedrow, neither whose names resonated. In time, this would change, and I would make many more connections, and learn that Bettina and Enid are more than just friends, they are third cousins. But I am getting ahead of myself.
When Bettina suggested I contact Enid Sperber, she mentioned in passing that Enid had been an actress, her most famous role being as Nurse Bigelow in “M*A*S*H” (Figure 11) Her mother, Irene Tedrow, was also a well-known American character actress in stage, film, television, and radio. (Figure 12) Not being a “stargazer,” I merely made a mental note of this interesting fact while vaguely remembering there exists an ancestral program that allows interested genealogists to determine how many degrees of separation exist between them and people of fame. I am uncertain the specifics of how this program works, having never personally used it.
I was easily able to retrieve through a casual Google query a detailed history about the prominent Kantorowicz family from Posen and the liqueur factory established there in 1823 by a 17-year old Hartwig Kantorowicz. I downloaded and shared this history with Enid. Much has been written and can be found on the Kantorowicz family at this link, which it is not my intention to repeat here. What I was able to learn from the in-depth history, however, is that Hartwig Kantorowicz (1806-1871) who established the liqueur factory and his wife, Sophie Asch (1815-1863), supposedly had 13 children, 12 sons, only seven of whom survived. Based on what I have been able to learn, I think eight rather than seven survived into adulthood. More on this below.
Shortly after Enid and I began emailing, she sent pictures of paintings of Hartwig Kantorowicz’s parents, Joachim B. Kantorowicz (1783-1846) (Figure 13) and Rebecca Korach (1783-1873). (Figure 14) I considered myself exceptionally fortunate to obtain images of Jewish ancestors born in the late 18th Century. Given that their son Hartwig established a family business in Posen and was so prominent, surprisingly, I have so far been unable to find a photo of him. I even asked the Archiwum Państwowe w Poznaniu, The State Archives in Poznań, and they too have none.
Enid’s ancestral lineage was not entirely clear to me until she sent more pictures and provided more names. Like many other immigrants, the family’s name was Americanized upon their arrival here. Her father, born “Wilhelm Eduard Kantorowicz” (Figure 15) in Posen, changed his name to “William Edward Kent (1901-1974),” while her uncle, “Peter Curt Kantorowicz” (Figure 16), with his Hollywood good looks, was known as “Peter Curt Kent (1905-1969).” Enid also sent a picture of her grandfather, Hans Kantorowicz (1867-1934), with his two sons, Wilhelm and Peter. (Figure 17)
However, it was a picture Enid sent of her great-grandfather, Wilhelm Kantorowicz (1836-1894), with an unknown man named Siegfried (Figure 18), taken in 1860, that, in combination with a detailed family tree (Figure 19a) she provided, made it possible to ultimately work out her ancestry. It turns out, Siegfried and Wilhelm Kantorowicz were older brothers of the Max Kantorowicz previously discussed. I draw readers attention to the highlighted section of Figure 19a where their three names, along with the names of five other siblings shown in Figure 8 are all listed. (Figure 19b) From various sources, I now have pictures of all eight of Hartwig Kantorowicz and Sophie Asch’s children shown on the family tree.
The tree and pictures also allowed me to work out the ancestral connection between Enid and Bettina. Initially, Enid was under the impression that she and Bettina were not related to one another but had established a bond because both their families had escaped the Nazis. While, Bettina thought they were second cousins once removed. As the following schematic table shows, they are in fact third cousins.
| Enid Sperber née Kent (b. 1945) | Bettina Bassanow née Meyer (b. 1940) |
| Father:
William Edward Kent (1901-1974) (born Wilhelm Eduard Kantorowicz) |
Mother:
Gertrud Meyer née Milch (1911-2010) |
| Grandfather:
Hans Kantorowicz (1867-1934) |
Grandmother:
Else Milch née Kantorowicz (1875-1963) |
| Great-Grandfather:
Wilhelm Kantorowicz (1836-1894) |
Great-Grandfather:
Max Kantorowicz (1843-1904) |
|
Great-Great-Grandfather: Hartwig Kantorowicz (1806-1871) |
|
I am grateful for some intimate family photos Enid sent that she has given me permission to use, three of which I share with readers in this post. One is a heart-warming picture of Enid and her younger brother Roger Kent (1949-2018) as children standing with her parents in front of the paintings of Enid’s great-great-great-grandparents, Joachim B. Kantorowicz and Rebecca Korach. (Figure 20) And, the other two are throwbacks to a much simpler time that, as a former archaeologist, very much appeal to me. One shows Enid’s uncle Peter Curt Kent standing in front of his gas station, “‘Pete’ Kent,” in Cahuenga Pass (Figure 21a) and, the third, the gas station itself (Figure 21b), where the Hollywood Freeway now runs. In sharing this image, Enid noted that her Uncle Peter was never known to her or her brother as “Pete.”
Let me switch directions now. As previously mentioned, Hartwig Kantorowicz’s wife was Sophie Asch. In sharing her detailed family tree, Enid drew my attention to her great-great-grandmother’s links to a Sephardic Jew named Joseph Kalahora, purportedly born around 1495 in Kalahora, Spain. (Figure 22) A point of clarification. The narrow definition ethnically of a Sephardic Jew is a Jew descended from the Jews who lived in the Iberian Peninsula in the late 15th century, immediately prior to the issuance of the Alhambra Decree of 1492 by order of the Catholic Monarchs in Spain, and the decree of 1496 in Portugal by order of King Manuel I; as students of history know, these orders resulted in the expulsion of most Jews from the region in the late 15th Century.
Curious as to the possible linkage between Sephardic Jews and Eastern Europe, I did a Google query. I landed upon several articles discussing the origins of the Calahor(r)a (Kalahora) Family, including a post by Joel W. Davidi, an independent research historian and genealogist, writing in 2009 on his blog, “The Jewish History Channel (now known as Channeling Jewish History),” about this remarkable family in Poland. Below is a summary of what I learned.
The Calahora-Kalahora were a family of physicians, pharmacists, community leaders and Jewish scholars in Poland from the second half of the 16th Century until the 20th Century. The first known member of the family, Dr. Solomon Kalahora, was purportedly a pupil of the physician Brasavola in Ferrara, Italy, who settled in Kracow, Poland [also written as Kraków or Crakow] in the 16th century. Around 1570, he was appointed the court physician to the Polish King Sygmund August (1520-1572), an appointment that was continued by the subsequent King Stephen Bathory (1533-1586) in 1578. The Kalahora name would undergo many transformations, including Kolhari, Kolchor, Kolchory, Kalifari, Calaforra, Kalvari, Landsberg Posner, Zweigenbaul, Rabowsky, Olschwitz and Milsky. Though the Kalahoras came to Poland from Italy, the name reflects their Iberian roots, the Spanish town of Calahorra, where the family originated.
The patriarch Solomon Kalahora had six sons; one of them, Israel Solomon (1560-1640), the Rabbi of Lenchista, founded the Poznan branch of the family. One of Israel Samuel’s sons was Matityahu Calahora, who according to the contemporary Polish historian, Wespazjan Kochowski (1630-1700), was a “well-known physician with an extensive practice in Christian and even clerical circles.” Matityahu’s life came to a violent end when he became embroiled in a religious dispute with a Dominican friar named Havlin. The Russian-Jewish historian Simon Dubnow describes the event, gruesome in its details:
“The priest invited Calahora to a disputation in the cloister, but the Jew declined, promising to expound his views in writing. A few days later the priest found on his chair in the church a statement written in German and containing a violent arraignment of the cult of the Immaculate Virgin. It is not impossible that the statement was composed and placed in the church by an adherent of the ‘Reformation or the Arian heresy’ both of which were then the object of persecution in Poland. However, the Dominican decided that Calahora was the author, and brought the charge of blasphemy against him. The Court of the Royal Castle cross-examined the defendant under torture, without being able to obtain a confession. Witnesses testified that Calahora was not even able to write German. Being a native of Italy, he used the Italian language in his conversations with the Dominican. Despite all this evidence, the unfortunate Calahora was sentenced to be burned at the stake. The alarmed Jewish community raised a protest, and the case was accordingly transferred to the highest court in Piotrkov. The accused was sent in chains to Piotrkov, together with the plaintiff and the witnesses. But the arch-Catholic tribunal confirmed the verdict of the lower court, ordering that the sentence be executed in the following barbarous sequence: first the lips of the ” blasphemer ” to be cut off ; next his hand that had held the fateful statement to be burned; then the tongue, which had spoken against the Christian religion, to be excised; finally the body to be burned at the stake, and the ashes of the victim to be loaded into a cannon and discharged into the air. This cannibal ceremonial was faithfully carried out on December 13, 1663, on the marketplace of Piotrkov. For two centuries the Jews of Cracow followed the custom of reciting, on the fourteenth of Kislev, in the old synagogue of that city, a memorial prayer for the soul of the martyr Calahora.”
The grandson of Matiyahu’s brother Solomon was Aryeh Leib Kalifari (Figure 22); he was a preacher in Posen and the founder of the Landsberg and Posner families. After the son of a prominent citizen from a village near Posen was murdered around 1735, the Christian population there at once charged Jews with the crime, including Aryeh Leib. He became the second member of his family to be martyred when he was arrested and tortured by Catholic authorities during a blood libel. He died in prison after rebuffing an offer to spare his life if he converted.
While difficult to discern, the above names all appear in the family chart Enid Kent shared with me showing her great-great-great-grandmother’s ancestral links to the Sephardic Kalahora family. (Figure 22)
One final thing of note I came across. There exists a large mural painting by Julius Knorr (1810-1860) that is on permanent display today in Poznan’s Town Hall. Entitled “Marktplatz in Posen,” a section of this mural depicts a Rabbi Akiva Eger who is flanked on his left by Rabbi Yaakov Kalvari (originally Calahora), a member of his Rabbinic court and a descendant of the Calahora Sephardic family, The painting was done during the lifetime of Rabbi Akiva Eger and was first displayed in 1838. (Figure 23)
REFERENCES
Davidi, Joel W. “Calahora, a remarkable Sephardic family in Poland.” The Jewish History Channel now known as Channeling Jewish History.15 January 2009. <https://ha-historion.blogspot.com/2009/01/>
Dubnow, Simon Markovich. History of the Jews in Russia and Poland. Pinnacle Press, 2017
Nawrocki, Stanisław. “History of Kantorowicz Family and their Factory.” Chronicle of the City of Poznan. No.4/ 1996